Seeing Spelling With New Eyes

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I read this the other day. When I reached the end and read buttufele, I had an epiphany about spelling!

Spelling is a remarkably daring journey into  possibility thinking, creativity and design!

When trying to share our ideas, encode sounds and/or spell words we all go through the following steps:

Possibility thinking: How might we use what we already have/know in a new way? What letters or letter combinations are possible?

Creativity: We have to be brave and take risks.We use what we know to make something new and useful.

Design: We define a design challenge. ( For instance, write the word – beautifully.) We ideate. (butfoolee, beyuootefooly, beeyutyfuly, buttufele), and prototype (see illustration above). Then we test. (Can I read it? Can someone else read it? Can the person I wrote it for read it?) Our test provides us with data, and perhaps, new understanding. The process then begins again for this, or some other, word.

I love this understanding of spelling. It brings an element of play, and ease into the process of spelling. It embraces the fact that the spelling process, like all other design processes, often includes failing.

I’m wondering if approaching spelling this way, might make it easier for our students. Understanding they are choosing a design (spelling) challenge might empower them. Being creative might infuse joy into the process. Embracing failure as a natural part of spelling might diffuse some fear, and increase learning.

I’m going to work on my language and give it a go with my learners. I’m hopeful!

And just a note: Conventional spelling can also be approached as a design challenge. except now the challenge might be “Spell beautifully as it is found in library books, or on dictionary.com.”

Translation in case it is needed: She is very pretty. She is funny and she is goofy. She is a kind princess. She lives in Westfield. She sings songs beautifully.

 

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Learning Like A Kindergartner

 

 

Mitch Resnickargues that the ‘kindergarten approach to learning’ – characterized by a spiraling cycle of Imagine, Create, Play, Share, Reflect, and back to Imagine – is ideally suited to the needs of the 21st century, helping learners develop the creative-thinking skills that are critical to success and satisfaction in today’s society.” 

I’ve spent at least 4 hours today doing just that – imagining what might be, measuring, erasing, thinking, creating with various mediums, playing with watercolor and the rule of thirds, sharing my work and thoughts with my brother, reflecting on the process and product, and imagining what I might do next with this project and others.

I explored and learned about the remarkable, and often surprising, properties of water color. I experimented with wet on wet, wet on dry, overlapping, the golden ratio, the rule of thirds, contrasting colors, tones and hues of the same color, and lots more. It was super fun, and filled with discoveries and learning.

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My long creating jaunt made me think of another thing Mitch said GIVE P’S A CHANCE: PROJECTS, PEERS, PASSION, PLAY. (Cracks me up each time I read that title!). But, that reflection will have to wait for another time. I’m starving and need to step away from my play-filled learning, (Or is it learning-filled play?) and find some food!

Rest assured I’ll be thinking of ways to increase this type of learning in my classroom — working my innovator’s mindset — to innovate inside, and outside, the box!

 

 

 

Engaging in the Hard, Fabulous Work of Creativity

My bathroom has two sliding doors. I designed the bathroom with these doors as canvases for some sort of artwork. Finally, one side of one of the doors is finished!!! Well, to be specific, the artwork is finished,but the door remains perched on two saw horses in my bedroom/studio, waiting for a few coats of polyurethane before it is hung again on its slider.

.door on saw horses

It is remarkable how much thought, research, doodling, re-thinking, kibitizing, talking, looking, and physical work, are involved in being creative! I love the process, but for some reason, this project really encouraged me to notice the time, effort, thought and work of creativity.

My process:

  1. I spent days thinking about the project. I imagined what I wanted. I thought about how I might achieve what I wanted. I changed my mind numerous times. I decided I wanted to — somehow — stay true to the architectural design of my arts and craft bungalow home.
  2. This sent me on a long path of research – looking up arts and craft fonts, flipping through a plethora of arts and craft design and art books, and googling various people and pieces I was particularly drawn towards.
  3. I found two fonts, and many designs I liked. Now I had to see if I could actually use them. Could I learn how to draw them and make them my own?
  4. Next came the doodling and sketching. Funny as it may sound, I experience joy when I find and use a pencil that feels good in my hand, moves smoothly across the paper, makes great marks and erases easily. And speaking of erasing, the number of iterations I went through in order to come up with the final design, was amazing! I wish I hadn’t thrown away all my sketches. It would be good for my students to see and know that the work that looks so easy, and causes them to say, “Wow, you are so good at that, Miss James!”  is actually informed and supported by many other tries! I’ll be sure to keep the next batch.
  5. My final design is the result of being open to possibilities wherever I found them, and mashing together ideas from many different arenas – arts and craft designs, zen-tangling sensibilities, yoga, mandalas, nature, botany, math, color theory, and I’m sure many more that I’m currently forgetting!

door collage

But that wasn’t the end! The work, thinking, experimenting, ideating and iterating continued.

  1. Now I had to take my idea  – drawn on an 8.5 x 11 piece of paper – and transpose it into something beautiful on the actual door. Rulers, yardsticks, lovely pencils and erasers, compasses, and scratch pieces of paper were purposefully strewn across the door. I measured, sketched, thought, looked, breathed …. and did it all again for some time. It was fabulous! Finally the design was sketched onto the door.
  2. Next was the wood-burning stage which would create the dark lines of the design on my door. I should mention that this stage was also preceded by many hours of practice. The burner comes with many different tips. I experimented with each one to see what type of line it created, which heat worked best for it, and how easily I could manipulate it to create the lines I wanted. I experimented on various types of wood – they all seem to burn differently – and then explored the different areas of the clear pine I was using. The grain caused different burning rates and necessitated changes in speed and heat.
  3. Finally, time for color! I loved the look of the design burned into the wood. I’m sure it would have been fine to polyurethane it in its natural form, but I had created it with color in my mind and knew it would seem unfinished if I left it uncolored. So, once again, I risked “wrecking it” in order to make it what I knew it could be.
    1. I laid the colors out on the design – playing with different combinations.
    2. I painted the colors onto a similar piece of wood. I was amazed by the difference in the colors out of the paint tube versus on the tube.
    3. I thought, looked and waited. Mostly the waiting was because I was working during the day and coaching in the evenings, leaving me little time to create. But, that waiting was important, because I had time to look, and look some more, and allow my brain to play with the colors.
    4. I couldn’t decide on all the color combinations so I started with one color combination – the leaves – and as I painted, the other colors combinations coalesced for me.

The color and painting process was fascinating! I tried to figure out the entire color scheme, but failed time and time again. When I stopped trying and began painting, I – for lack of a better phrase – began to see better. It was as though the process of immersing myself in the medium – the paint and the painting – increased my clarity.

I can’t explain it — many ways it was magical! As I painted the leaves, with the tubes of paint lying about me, and I would notice myself thinking “Oh! That might work.” I’d continue painting, and notice another thought “Hmm, perhaps that is too much. I think this might be better.”

Often I’d run my ideas past my brother (another creative, learned soul) for clarification and validation. I wouldn’t always use his ideas, but somehow his ideas fed mine and helped them become more “perfect.”

door closeup

Each step in the process involved risk, flow, joy, time and triumph. It was all fabulous, but the time was really important. Time to think, to do, to wonder, to mess up, to re-think, and to experience the process, the product, the materials. I would often just stand at my work – leaning on the door, examining it with my eyes. Other times, I would run my palm over the work. The tactile experience of touching my work in its various stages of completeness was incredibly important, necessary and satisfying.

It makes me think about school and my students. How can I help them have this experience of creativity — in all its angst, sweat and splendor? How can I give them the time and opportunity to experience — in their own creative work and thought — what I experienced in mine?

I’m not completely sure, but rest assured I’ll be thinking about it, and letting the question, and any possible answers, inform my teaching practice!