The Beauty of Imagination

A colleague of mine — who is equally enthralled with imagination, curiosity, wonder, and creativity — shared this article with me. It’s a nice article, with things that made me go “Hmmm…” as well as ideas I definitely want to work with my girls.

My only tsk moment happened when I re-read the article for this post and noticed the subtitle is “Three strategies for helping upper elementary and middle school students develop their mind’s eye.” Perhaps the author thought lower elementary and early childhood children don’t need to have strategies to stir their imaginations. Perhaps she thought her strategies were beyond their young minds.

My experience says nothing could be farther from the truth! (If you’ll allow me to be a bit hyperbolic!) My Kindergarteners enjoy using their imagination, and they benefit from language that values and encourages it, as well as strategies to use it in new ways in their learning and life. So, that said, I hope all grades will give the article a read.

The author of the article, Diana Rivera, studies imagination in the field of psychology. Who even knew you could do that? I think it’s fabulous, but I had no idea! Now that I do, I’m going to be doing a bit more research!

Anyway, I like her suggestions for “stirring students’ imagination.” I will definitely be using her thoughts to enhance my own practice of stirring my students’ imagination. But first, I allowed her ideas to stir my imagination!

I was prepping a read aloud and connected project. I love the Gus Gordon picture picture book — Herman and Rosie. and had decided to use that for my read aloud. I discovered this amazing AUSLAN online reading of the book. If you do nothing else, watch the video, and read along with the book as it shows in the background. It’s really a joy.

I wondered what to do as a project. I’m not one for specific “do this” kind of projects, and everything I thought of left me a little blah. Then I received and read Diana’s article.

Dare I just let the girls use their imagination? Did I trust them, and me, and the process that much? What if it didn’t work out? What if they were disappointed?

I took a breath, or more precisely let out a big sigh, and thought “What’s the worst that can happen?” They may not enjoy my idea. They may not be able to imagine anything they would like to create. I may be disappointed in myself fi I cannot help them imagine, create and have fun. I may have to say, “”It’s an experiment, and sometimes experiments don’t work out as planned — at least not on the first try.”

So with really nothing to lose, and lots to gain, I decided to give it a go!

It was fantabulous!!! At first they seemed a bit perplexed as I explained the project.

Them: “What are we doing for project?”

Me: “We’re going to use our imaginations and think of what we might create that has a connection to Herman and Rosie.”

Them: “But what are we going to make?”

Me: “I don’t know! We have to think about it. Use your imagination. What can you think of in your brain that we could make?”

Them: silence …

Me: “It could be anything. Maybe we want to imagine a place we’d explore and make a map like the one in Herman and Rosie. Maybe we like to sing so we’d make something for singing.”

One of them: “Maybe we can make musical instruments!”

Me: “That is an awesome idea. We can make musical instruments!

Them: “Musical instruments? We can make musical instruments?!”

Me: “Sure. Let’s give it a go.”

It was a beautiful day so we moved outside to our play area. Several girls crowded around the table and set work. As they worked they had to also problem solve how to keep the papers from flying away — it was beautiful because of a rather strong breeze.

The first to make a guitar brought it to me.

Her: “How do I get inside it?”

Me: I was stumped. “Get inside it?”

Her: “Yeah,” she said, as her fingers moved along the string lines she had created, “Inside it. So I can play it.”

Me:”Oh! You want strings?!!”

Her: “YEAH!”

Me: “Wait right there!” I hurried inside to get a pack of rubber bands and some more cutting tools.

We worked together to decide on the number of strings she wanted, and the number of strings that could fit on her guitar. We problem solved — adding popsicle sticks for strength and stability — when the strings caused the guitar to bend in half. Finally we basked in the glow of a mini working guitar.

As she strummed it, she looked at me and said, “Maybe tomorrow I’ll make a guitar pick.”

WOW!!!

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She wasn’t alone in her imagining and creating. Several others created instruments too. Many of them created guitars and my original young guitar inventor was able to act as expert and help them. 

One of the next days as she was dismissing, she popped her head back into the room and asked “Why are so many people making guitars, Miss James?” “I’m not sure, but I think it’s because they really liked your idea, and your guitar.”

She didn’t say anything, just looked at me.

I continued, “What do you think? Do you think maybe you inspired them to create guitars?” A smile I will remember forever illuminated her face. She  shyly shrugged, and left the room, aglow, saying “Maybe!”

Perhaps, along with asking myself “What’s the worst that could happen?” I should have also asked “What’s the best that could happen?”

Several remarkably wonderful best things that could happen were shown to me by all my creators — most especially the smiling, glowing girl.

We can imagine things and create them.

We can help each other.

We can inspire one another.

And best of all, we can learn that we are inspiring!

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Learning through Rapid Prototyping

I recently presented a workshop on Design Thinking with a fabulous NJAIS colleague.  It was an incredibly thought-provoking experience for me. Teaching educators about using design thinking in the classroom forced me — or, more correctly, allowed me  — to immerse myself, again, in a plethora of creativity and design thinking resources. I read, listened and thought deeply, as I searched for the connections, and inspirations to share with the participants.

The idea of rapid prototyping was particularly provocative. It’s not the norm for education, and yet it has the potential to be profoundly valuable. By prototyping rapidly — with ideas, strategies, or products — we gather large amounts of information in a relatively short period of time. In the process, we discover our own strength and agency, and we experience the hidden potential of failure.

Rapid prototyping and gathering information from each failure, is a natural mechanism for learning, problem solving, and innovating.  I experienced its value as I watched my students attempt the Tower of Hanoi math game.

I prepped them for the process. I emboldened them in their willingness to try. I told them they might not get it  — the 1st, the 5th or the 100th time —  but they should keep trying, and learning with each move, mistake or failure. After listening to the rules, they gathered their three blocks, and set to work figuring out the puzzle.

One of the  girls was  the epitome of rapid prototyping. Rarely taking her eyes off the blocks, she moved them without discussion.She made hundreds of moves. She appeared undeterred by her failure to solve the puzzle, and seemed to find joy and interest in the process.

The number and quickness of her moves, might suggest her moves were aimless or unstudied. Someone watching might  wonder whether she were learning anything, or making any progress. But, looking at it with the eye of a design thinker, it became clear she was rapidly prototyping.

 

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Her movements were speedy, and many. But, they were definitely not without observation, noticing, thought, or purpose. As she made her moves, she clearly learned about the blocks, the puzzle board, and the ways in which everything worked together. After what seemed like hundreds of moves, she paused, looking at the board. Then, she  made the seven moves necessary to solve the puzzle!

(I particularly love this photo that captured the rapid movement of her hands as a blur of motion.)

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It was fascinating and a bit humbling to watch her! I was struck by how wonderfully it illustrated how we learn, as well as my role as an educator.

I must create a culture and environment that supports my students. A culture with resources that bolster their knowledge and understanding, while encouraging them to be brave, and to believe in their ability to work and learn. I must give them provocations and opportunities to problem find, and problem solve.

Then, I must step back and let them do their thing. I must resist any urge to jump in and rescue them before they actually need my help. I must sit in my own discomfort, and trust. Trust the process of learning. Trust creativity and design thinking. Trust rapid prototyping and learning from failure. And mostly, trust them!

Finally I must breathe! My breath helps me pause and gift my students with time and space. It helps me remain calm and confident, unafraid as my students heroically brave the unknown.

It’s a spectacular process that inspires and teaches me. My students — our students — have a tremendous amount of courage, insight and capacity to do and learn. All they need is the opportunity — and our trust and breath.

I Wonder …

…what my Kindergarten artists will think, do, and feel when we work on this art process and product.

I am super hopeful …

  • their big beautiful brains will be filled with ideas and wonder.
  • they will jump in with confident hope.
  • they will experience the joy and excitement I feel when I create art.
  • they will know they are artists who can make decisions about their art.

 

These are my practice, and inspiration pieces.

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After making the first piece, I tried another using the new stamp pads I bought for my Kindergarten artists. As I prepped the page, I wondered what it would look like if I added a piece of tape down the middle.

I like it, and am adding it as an option for my Kindergarten artists.

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The boarders are created using frog tape. It creates a nice sharp edge, and even more importantly, can be removed without harming the paper. The circles are stamps created from some tubes one of the students brought in. I cut them on our bandsaw so I’d have enough to give each artist a small stamper and a large stamper.

My rules for the project will be:

  • Everyone needs a boarder.
  • Circles are colored with crayons.
  • The background is filled with watercolor.
  • Sign your work! (Which, by the way, involves many artistic decisions.)

My suggestions will be:

  • Consider overlapping the circles and letting the circles extend beyond the boarder.
  • Practice stamping on a scrap paper so you feel comfortable working on your piece.

My artists’ options and decisions will be:

  • What colors will I make the circles?
  • What color will I make the background?
  • Will my background be one color, or many?
  • Do I want a piece of tape to intersect my paper – creating two pieces?
  • Where will I put that piece of tape? (The options are endless!)

My jobs will be many:

  • To show the artists that unexpected things (tubes from shoes, painters tape) can be used to create art.
  • To expose them to the idea of combining various mediums into one project.
  • To encourage them to think.
  • To empower them to make decisions about their art.
  • To explain the rules … and the options.
  • To enjoy my artists, their process, and their products.
  • To document their process and work.
  • To be open to their interpretation of the process.
  • To be willing to allow them to modify the process … depending on their interpretation, desires, and/or needs.

All my jobs are important, but those last two, they are paramount.

If I want my students to know they are artists, and to actually BE artists, I need to give them the freedom and respect artists need, crave, and deserve. If I want them to learn to make decisions, problem solve, wonder, and create, I have to give them the space, empowerment, and opportunity to actually DO IT!

 

 

The Blank Page Revisited

I’ve written several times about the blank page – once about my own experience and then another time about my Kindergartners working to overcome the blank page.

Even so, I still struggle with the blank page. It fascinates and attracts me – enticing me with its beauty and possibility — while simultaneously intimidating and mocking me!

I love making art – letting other’s art inspire me, exploring new mediums, or creating beautiful things for myself and others. I’m pretty talented. But again, wow, sometimes I’m stymied by the blank page. It pokes at me — like a sneaky bully — with angst and doubt, and keeps me from doing what I might.

My mind is always searching for connections between seemingly unconnected things, and the other day that trait helped me have an epiphany that helps me overcome my own blank pages.

The first part of the connection is a note and bracelet gifted me by one of my K students:

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I love that note and bracelet. I am even thinking how I might have a more permanent bracelet made that says “Imagine possibility!”

The second part of the connection was a quote on a friend’s Facebook post:

“Stop worrying about what might go wrong and get excited about what might go right!”

Ding, ding, ding!!! All of a sudden I got it!

I AM good at imagining. I imagine wonderful opportunities and ways of accomplishing them when I’m building with my kids. When I’m imagining art possibilities, I revel in all sorts of fabulous, positive possibilities. I enjoy imagining things I might make, as well as new ways to do things.

But when gazing upon the blankness of the page my imagining begins to change. Instead of the joy-filled optimistic possibility thinking, or the enthusiastic fun of trying new things, I imagine all the things that could go wrong. And, just like my more hopeful, lighthearted imagination, my fretting, angst-ridden imagination is powerful and thinks of many possibilities. Only problem is, these possibilities include the numerous things I do not want to happen!

This epiphany helped me as I worked on the door design I am creating. I did research. I prototyped. I discarded methods and color combinations that didn’t work. I refined the methods and color combinations until I was quite pleased. Finally, I mustered up my courage and took control of my own thinking.

Instead of allowing my imagination to travel down the dark path of doubt, doing it’s beautiful creative process to imagine all that could go wrong – destroying my hours and hours of work – I chose to get excited about what might go right! I imagined the fantabulous things that might occur – in my learning and in my actual product.

Sometimes I’m not able to come up with the actual possibilities because my thoughts of what might go wrong are so strong. In those times, I determine to embrace the excitement and possibility of what MIGHT go right — even if I’m not sure what they might be.

So one day, as sat in my workshop space, my door stared at me, daring me — or begging me, depending on your perspective — to come continue to work. With determined resoluteness, I accepted the challenge! I pulled out the colors, chose my brushes and began working.

It was a bit stressful for a moment, but as I worked, the stress eased and I developed a process that worked well. After just one flower was painted, my imagination was freed! I began to imagine — and believe — all the things that might go right. It was remarkable how interesting — intoxicating even — it was!

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I am now super excited to be in the process, and see where this will end up. I’ve made mistakes. But, I’ve chosen to breathe through them and let my imagination and process make good things happen. My fingers are crossed this will stay with me for future blank pages.

I’m wondering — imagining — how I will use this information with my students. I am certain there is something profound to share with them. My mind is already at work.

Now to await the marvelous, mysterious connections sure to come, and to become excited about all that may go right — for myself and my students.

Are They Listening?

I was inspired by a colleague to truly make my word wall interactional – student driven and written. It’s a whiteboard, so it’s easy to revise. I erased everything I had on it, and moved it a bit closer to the floor. They would still need a chair to write at the top, but they could do it!

During guided reading, I rolled out the plan. Everyone was to write 3 words. They could be words they really liked, or words they used a lot in their writing, or words they wanted to use in their writing. They could be any words, BUT, they had to be written the way they are in library books. (Usually, when we write, the words need to be encoded so that the authors, and I, can read them.)

They got papers and set to work with enthusiastic determination. As each finished, they shared their list with me. We worked to spell each word the way it was in a library book. Sometimes we worked harder at hearing sounds and encoding them. Other times we recalled spelling rules and combinations. Still others times I asked permission to show them how it would be spelled in a library book.

Finally, they joined me at the wall and added their words. It took us a few days to get all the words written, but it was worth it! It was such a joy to watch them work, and to work with them.

They reached as high as they could to add their words.

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And the words they chose were …

I cannot think of an adequate descriptor …

…. amazing, fantabulous, wonderful, overwhelming.

Take a look at two of the word lists.

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Yes, there are sight words on the wall such as  — we, and, of — and other words they know and enjoy like — candy, cup.

But the wall is filled with things I have said, written and encouraged!

One student wrote “I’m possible!” as an Ii word. It’s a reference to the statement “Impossible just says ‘I’m possible.”

Are they listening? Yes, they are! 

Note:

You might be wondering about the word fantabulous. You may not find it in a dictionary, but it is a word in our classroom. I made it up a few years ago. It’s a combination of fantastic and fantabulous — two words I say with some regularity. One day, while chatting with the kids I said it’d be great if there were a word that was both fantastic and fabulous … like … FANTABULOUS! 

It has joined the lexicon of our classroom, and appears to be moving on with the students and their families. Soon, perhaps, it will be found in the dictionary! 

Relationships and Inspiration

 

“Education is always about relationships. Great teachers are not just instructors and test administrators: They are mentors, coaches, motivators, and lifelong sources of inspiration to their students.” (Ken Robinson) I love this quote and try to live it everyday. 

There is an equally strong and powerful benefit for us as teachers. When we build relationships with our students, we are forever inspired by them as well.  

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My kids and I do yoga together each week. We end each session with a ritual of gratitude and relationship. We go to each other – hands in the yoga prayer position – look each other in the eyes, and say:

Namaste (name). Thank you for practicing. You are awesome! 

It is a super powerful moment of relationship, caring, and affirmation.

As I affirm each child, I take their hands in mine  I want them to know they are important to me, and have my full attention. I want them to be assured I have them in my hands — now and always.

Several of my students have begun to take the lead in this ritual, and grasp my hands in theirs.

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I love the symbolism. I am not the only one who values relationship. I am not the only one offering inspiration, or holding others in my hands and heart. My students – these 5 and 6 year olds — hold me in their hands and heart as well.

This reality — and the image of their small, but mighty hands, holding mine — inspires me every day.

 

Note: I’ve wanted to capture these moments in photographs for some time now, but couldn’t figure out how to have both of my hands held, and take a photo!  Today I realized, “Ask the hands that are holding you!” After yoga today, I asked my students to take some photos. These are two of the photos they took. 

 

School can be amazing!

I’m reading Innovator’s Mindset by George Couros aka the Principal of Change. I resisted buying it and reading it for quite some time now because, whew, I am one busy girl. But, then I discovered the #IMMOOC – an Innovator’s Mindset Massive Open Online Course!

I was hooked!! Yes, I know, you are wondering, “Hmmm, Molly, perhaps I’m mistaken, but didn’t you just say you didn’t have time to READ the book? Isn’t a MOOC more work than just reading? Have you, by chance, lost your mind?”

What a great question! I do feel in some ways, that I have fallen over the edge into some sort of madness, lol. But, I know that feeling is not exactly accurate. My decision feels a bit mad because it will mean I get less sleep, more struggle, and more work.

However, feelings aren’t always truth. In reality the decision to be part of #IMMOOC is actually quite sane and wonderful. I get to be part of, and interact with, a huge network of people invested in their own personal learning, and passionate about impacting education (and the world) for the better!  How could anyone, much less me, pass that up?!?!!!!

So, here I am, in the midst of the #IMMOOC, unsure of where exactly we are supposed to be in the book and our blogging, but loving where I am! I’ve read some of the book, reflected, engaged in the twitter chat (And might I just say, the #IMMOOC twitter chat people had incredible energy and passion. It started at 9pm my time. By 9:40 my eyes were bleary and my head was exploding. I took the gems I had read so far, reveled in the excitement for a moment longer, toyed with the idea of staying, but decided discretion is the better part of valor, and quietly left the chat for some much needed sleep.) and now have begun blogging about the Innovator’s Mindset. So, with that said, let me get to it.

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My first “You go, man!” came in the publishers forward, when I read “School can be amazing.” Before I continue, I’d like to suggest an edit. I think it should read, “School can be amazing!” Or, even, “School can be AMAZING!”

All too often I hear people comment — in support of school NOT being amazing — “It is school after all.” Eee gads, people. School can, and should be, amazing! If it isn’t, we are doing something wrong. Learning is awesome. Exploration is amazing. Discovery is exciting. How do we go from that to “It is school after all?”

I heard Ken Robinson speak at the NAIS conference on Friday. (Magnificent as always!) He mentioned a horrifying statistic. He said “According to the World Health Organization, unipolar depressive disorders were ranked as the third leading cause of the global burden of disease in 2004 and will move into the first place by 2030.” I thought of that as I read the introduction to George’s book. George says:

“Inspiration is one of the chief needs of today’s kids. … our responsibility isn’t solely to teach memorization or the mechanics of a task but to spark curiosity that empowers students to learn on their own.  To wonder. To explore. To become leaders.” (Innovator’s Mindset p. 4)

I would add to that list, if I may be so bold:

To struggle. To fail – and  through the failure, to learn and thrive. To consider possibilities. To find new answers and new questions. To know the joy of learning. To inspire, challenge, and teach each other, and us.

I believe in the profound work we do as educators, and the (to quote my El Sistema and Reggio friends) transformative power of education. It is not, in my humble opinion, that schools can be amazing. It is that schools should, and must be, amazing.

We have the power to positively impact the future of our youth and our world. The transformative power of education, in the hands of innovative educators who believe in the incredible beauty, goodness, power, and ability of all our students, can change the future, and cause the WHO to have to reassess and change their prediction for 2030.

A girl can hope!

 

 

 

Inviting Kindergartners Into My Process and Musing

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My hands will soon be covered in paint –  like hand in this photo. YAY! I cannot wait!

It is super important for me, as a person, and as an educator, to: get inspired, try new techniques, play, and make things. The whole process – anticipating, enjoying, searching, looking, researching, talking, trying, learning, failing, fretting and succeeding – teaches and touches me as a person and an educator.

The preparation is a time of excitement, joy and anticipation!

I relish the trip to the art store! Paper, paint, stencils, cutting tools, canvases, paint brushes invite me to explore, imagine and buy. I usually end up in line with much more than my original shopping list. If I’m lucky, my cashier is an artist. We kibitz over my choices, and share our passion and ideas. On my last visit, I discovered there is 300 pound watercolor paper! 300 lbs! The clerk said it is “Delicious!” (You do know I will soon be purchasing some, don’t you?)

I love scouring bookstores for art books or magazines. It’s a treasure hunt. If I’m lucky enough to find one or two that inspire me, I’m a happy girl! Just thinking about being creative makes me happy. It doesn’t bring me as much joy as actually creating, but it is pretty awesome.

And, of course, after all the prep, I love the doing! Surrounded by supplies. In the zone. Hands covered with paint. Mind buzzing. Spirit soaring.

But, occasionally, I notice less than positive emotions. Sometimes there is a vague sense of angst. Usually it’s when I’m faced with a technique that is new, outside my wheelhouse, or that doesn’t easily mesh with my usual sensibilities. It’s always somewhat surprising to notice the less than positive emotions. I love being creative and artistic, and I’m pretty talented. And yet, I still sometimes feel apprehension, the worry of not being good enough, or the fear of messing it up.

As I notice all my experiences, thoughts and feelings, my mind turn to my students. I want them to experience it all. The positive and the less than positive emotions. I want them to struggle, to think, to fail, to learn, to succeed. I even want them to experience the angst, and the truth that angst can be overcome.

Wondering how I might do that, I am considering these questions:

  • How might we facilitate anticipation, discovery and joy?
  • How might we participate in the excitement of the treasure hunt for ideas and/or supplies?
  • How might we provide inspiration?
  • How might we find the time to allow ourselves to savor the process?
  • How might we structure our time together, to enable more conversation, as artists, regarding our passion, our work and/or our materials?
  • How might we give each other the freedom to adapt a particular technique or project to better fit our own sensibilities?
  • How might we be more aware of thoughts/feelings of angst and fear?
  • How might we better support each other in angst and fear?
  • How might we continue to encourage belief/knowledge of ourselves as capable, awesome artists?

I’m not sure, but I’m wondering ….

 

Note:

My first draft of this blog post had a list of “How might I …?” questions. As I re-read my post, the I was in glaring opposition to the we of creative teams.  Yes, I am the teacher, so, yes, much is up to me. But, we are a creative team – my kindergartners, my colleagues, and I – and it is better that I ask “How might we …?” 

My students teach me, inspire me, problem solve with me, and often see things from an insightful prospective much different than mine. Inviting them into my musing will be beneficial for us all!

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Hiking Art

I bought a travel watercolor set to have with me in my pack on my hikes this week. It’s a nice Sakura Pocket Field Sketch Box. I got it in an awesome little bookstore on the main drag of Lake Placid that has an amazingly nice art section! It was an impulse buy on a rainy day walk into town.

I’m not a trained painter so I looked for creative ways to translate the nature and inspiration I experienced on our hikes, using  watercolors.

We did a short hike out to Moose Pond. It’s a beautiful spot to sit, breathe, pray, eat, and relax. The water inspired me that day. I thought about wetting the entire page with pond water, but wasn’t sure what I would do next. So, I did nothing! I sat, looked, and just experienced the place. I noticed irises growing between the cracks in a rock on the water’s edge. That sparked an idea! If I used one of the leaves to put the pond water on the page, I might be able to mirror the feeling of the water – movement, sunlight, colors, and flow.

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Baxter Mountain was our next hike. The wind at the top was sensational. It was my inspiration that day. But, how to show it?

The sound and force of the wind is hard to miss. It almost constantly moves the leaves and  actually changes the way tree branches grow. I love the sound and force of the wind, and the shaking of the leaves was a visual cue, so I knew I wanted to capture that … somehow.

It’s remarkable how awe inspiring, and moving (pun intended lol) the wind is to me. I absolutely love it. So, instead of of painting, I found several spots to sit, do yoga, eat, pray, and just let the wind buffet me. I collected a few leaves before we hit the trail off the summit, stuffing them in my pack to use when I got home.

Here’s my first leaf inspired piece.

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It took form as I worked. I wasn’t happy with it at first. But, I ignored my displeasure with the product, and kept going, enjoying the process. As I did, ideas came to me. I remembered a bubble art project I did with my Kindergarteners, and let that direct me.

I really like the abstract nature of the finished piece. And, I love the accessibilty and transferability of the method! I’m contemplating how to incorporate it into my class this year. It has nice potential as an art-science integration.

Rain has interrupted my hikes but not my art. Today I worked on getting watercolor paint to adhere to the leaves I gathered yesterday. My plan was to make leaf prints.

This is much harder than it seems. Close your eyes and imagine rain hitting the leaves. What does it do? Yup, it beads up! So guess what the watercolor paint does … beads up! Ugh! But, with a bit of stubborn persistence – wearing down the leaf it seemed, and getting the paint to the right consistency – it worked. The paint stuck to the water resistant leaf!

I am super happy with the result. The colors remind me of the leaves, sky and sun. The one in the middle is that one brilliantly colored red leaf we always come upon on our hikes. The black is the large rocks that encourage thousands of nature-filled step ups and downs on our hikes, as well as the small stones that sometime weigh down my pack. Next time I may put the black around the entire edge. We’ll see. It’s a process, and I’m loving it!

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Speaking of process, clearly my process involves mess! It never feels like mess while I’m working. It feels like (and is) immersion, beauty, intentness and art!

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But, yeah, my process is messy, and I’m good with that!

 

 

 

 

Gustav Klimt and Kindergartners

Gustav Klimt is a favorite artist of mine. I enjoy finding ways to share his work with my students. Take a look at this work of his.

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It is beautiful! Clearly it’s a masterpiece, and yet in many ways it is a work accessible to my kindergarten students. It is a combination of shapes – both in the detail and the figures.

I always have the girls work on a mixed media project when we are inspired by Klimt. I find it helps them express the detail he expresses when they have many mediums with which to work. Plus, it allows them to explore various mediums at the same time.

Typically, I bring in some of my art materials to share with them. They love the chance to use “real art mediums and tools” and treat all my things with the utmost respect. I love that my sharing expresses my respect for them as people and artists, and, hopefully, encourages them to be generous with the things they value.

This year I introduced them to Klimt while we were exploring shapes in math. I showed them full pieces, but spent most of the time drawing their eyes to the details and shapes found throughout his work. The girls enjoyed finding spirals, circles, squares, triangles, diamonds, rectangles and the many combinations of shapes Klimt created.

I decided to have the girls work on a trio of small art-pieces instead of one large piece. I hoped it might help them be more able to fill the paper with shapes. While I love having them work on large canvases, sometimes the size overwhelms them. We worked on 3×5 inch pieces of multi-media paper. When the girls were finished I mounted their work on a black background to create a triptych.

It was fabulous to sit and work with them. We shared pencils, artist markers, sharpie markers, a travel water color set, gel pens, crayons, pastels and security envelopes (fabulous idea I learned from Dar Hosta and Deb Barends).

“Oooh, I like that!” “Can I try that?” “How did you do that?” “Oh I never thought of that!” flowed across the tables as we admired each other’s work, and were inspired to give the new ideas a try. While they sometimes need a reminder, they are learning to see “copying” their ideas as a compliment rather than a transgression. I encourage those who “copy” to truly be inspired, and to make subtle, or large, changes in order to make the work their own.

I was, as always, impressed by their process and product. They have great, big, beautiful hearts and often it seems that beauty just flows out onto the paper. We learn from each other to be free with our work, loving the process and each other.

While I was working on a piece, one of the girls asked if I would like her to help me. “Sure!” I said, although I wasn’t sure what might be created. Her additions to the piece were wonderful, and made the piece much more beautiful than if I had done it alone!

I’m not sure anyone would realize we were inspired by Klimt, but we were, and we too created beautiful works of art. Here are a few from six of my students. Enjoy and be inspired!

girlsklimts

Resources:

Klimt Museum http://www.klimt.com