WOW!

 

Yup, that about covers it. “WOW!”

Well, perhaps, “WOW!” and “Boy, oh boy, do I need a nap!”

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It’s the beginning of our Thanksgiving Build 2017. All of this block thinking and work happened in less than 20 minutes!

It was amazing to experience and help facilitate it.

Prior to beginning the actual build, we prepped the room and ourselves.

  • We decided on a good spot for the tables.
  • We checked to be sure we could still move about the room as we need to for other activities.
  • We counted tiles on the floor.
  • We did some research — watching videos, reading/looking at books, and discussing our finds and understanding.
  • We chose our groups (citizens of England and Holland, passengers on the Mayflower, Native Americans).

Finally we met for our first day of building. Before working with the blocks, we held a quick planning meeting. I acted as the scribe, and recorded their ideas. Each group excitedly generated an extensive list of things they would need in their area of the build. Often their ideas played off of each other. I worked to keep the group focused and positive, accepting all ideas, confident that we would discover and modify anything that might need to be changed as we did the build.

It was interesting to make the lists together. They were invested in the process and shared their ideas with enthusiasm, but at the same moment, they were straining against the confines of the table, chairs, and list making. Their desire to begin the build was visible, and when I set them free, the room erupted into a spirited burst of conversation and movement.

They talked to one another as they moved to gather blocks and tools. Sometimes one of them would think of something else they needed, and give me a shout — “Bears! Add bears to the list Miss James!” For now the lists are posted on our whiteboard. We’ll revisit them at various points of the build — to see what has been done, what needs to be done, and what needs to be added.

Many things have to remain in balance as the build progresses. Of course, the blocks themselves must remain balanced. Given the inherent instability of certain block formations, and the sometimes whirlwind like movement of kindergartners, this is often more difficult than it sounds. But, many other things are also always in a delicate, sometimes beautiful, sometimes precarious, state of balance.

As the build facilitator I want to encourage and enable student agency, freedom, discovery, and creativity. At the same time I want to infuse their creativity with the all important ingredient of usefulness. I work hard to encourage thinking, comparing, noticing, and rethinking, without discouraging their ideas and budding understanding. Sometimes this means I have to refocus my gaze and perception. I need to look at the build not as a product alone, but as a process. And, I need to consider what my students knew before beginning, what they are expressing with their work, and what is most important.

Keeping the social emotional energy balanced is imperative. The collaboration — both physical and mental — that occurs while creating in groups is huge! Sometimes we aren’t used to this type of work, and disagreements or power struggles ensue. These moments are often fraught with emotion, but once breaths are taken, the disagreements and struggles become awesome opportunities for conversation, learning and growth.

Another area of social emotional balance involves my comments and suggestions. I have to be aware of the times when my interjections are causing too much disequilibrium in my builders. I want them to think, to struggle and to reach new levels of understanding. I don’t want them to doubt themselves or their work.

So, back to their work. We will build until winter break. Things will be added, taken away, and modified. This is just the beginning. And a great beginning it is!

Remind yourself of their age, their task, and their timeframe. And be awed!

England and Holland

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The Mayflower

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Native American homesite

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Kindergarten Creativity Does Not Disappoint!

Wow.

My girls, the process, and me — we did not disappoint. Not one single bit! Look at the creative art products they made. Creative. Beautiful. Striking. Brave.

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They followed the rules, considered the suggestions, and bravely embraced their own ability to make good creative and artistic decisions. Although they all used the same materials, rules, and suggestions, their creative and artistic choices made each work unique.

It was an amazing experience for me! I worked hard to:

  • be cognizant of my words — and their power to teach and empower.
  • breathe and allow the girls to make their own decisions.
  • trust the decisions my young artists made — even if they were different than the ones I would make.

It was hard work! Some of the girls were a bit afraid to really jump in. One said she wasn’t going to do the watercolor. I said “Oh yeah, you are. It’s part of the process. Trust yourself.” She looked at me with big eyes, and didn’t respond. A few moments later she asked if she could get a drink. I chuckled to myself, fairly certain she was trying to escape. I replied, “Sure, you can get a drink. But come right back so you can start painting. Don’t run away from me!” She chuckled and said, “Ok.”

She came back quickly, and with incredible braveness, painted like a pro.

I am so impressed with all of us. I worked to create the environment that would support creativity, critical thinking, joy, trust and bravery. And my young artists … well, they were fantabulous.

I made sure to acknowledge their bravery, and the many times they used a technique that inspired me.

My heart, and mind, are full!

Creating and Curating Their Own Creativity

We frequently visit our school art gallery. We go armed with sketch books and pencils — ready to sketch anything we can see from within the gallery. Sometimes this is art, sometimes each other, and sometimes things we notice through the windows.

Most days our conversation goes like this:

Them: “Miss James, can we take off our shoes?”

Me: “You may — as long as you understand if we have a fire drill you are going outside without your shoes.”

They always agree, and I always cross my fingers that we don’t have a fire drill! Typically, once their shoes are off, they stow them under a shelf in the gallery and happily get to work sketching.

On this particular visit, the removal of their socks and shoes fueled their imagination and provided a unique medium for their creativity.

As I walked about the gallery. I came upon this …

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Returning a few moments later, I found this …

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And, finally, a bit later, this …

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I love their creativity, collaboration and inclusion. Did you notice the number of shoes and socks increased in each photo? Each time someone asked to join, the original artists expanded their work to include their friends.

In the last photo, they are working together to collect the signatures of all the artists who contributed to their “double-flower art.”

I love that the freedom I gave them — to take off their shoes and wander the gallery in bare feet  — resulted in such beautiful, examples of their powerful and joy-filled agency and creativity! I never cease to be amazed how such simple things — though profound when you think about it — as time, space, freedom, trust, resources (bare feet, socks and shoes, pencils and sketch books) and agency, allow these young creatives to do their thing.

They are fantabulous.

 

Little Tweaks, Big Results

Innovation is not about the stuff; It is a way of

Our number of the day routine includes writing, spelling, and making a given number. We build math-muscle as we explain our thinking to each other – answering questions raised by our partner.

I love math and want my students to love it, too! Hoping to infuse a bit of passion into their routine, I tweaked the process last Friday.

Me: “Pick a number, over 20, and complete your number of the day booklet.”

Them: (with equal amounts incredulity and excitement): “Any number?”

Me: “As long as it’s greater than 20.”

Some jumped head-first into the cloud – challenging themselves more than I might have challenged them. They worked with excitement – fending off any negative feelings – as we sprawled on the carpet, and navigated the cloud together.  

Others chose safer numbers. But, they too were stretched and challenged as they wondered, discussed and devised methods to show numbers greater than 20 given only 2 ten frames and blank space.

At first glance perhaps it seems like a very small innovation. Choice. But, the result was stupendous. Trust, freedom, choice, joy, thinking, learning and growth experienced by all. What could be better?

My thinking cap is on, imagining ways to continue to tweak and innovate within our routines!

Creativity in Unexpected Places

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My students have been cleaning up the building area this week. 

This is what I found when I came back into the room today. Beautiful isn’t it!?!!

With a bit of freedom, growing love for aesthetics, and joy-filled support, even cleaning up can be filled with moments of creativity and beauty.

 

Dr. Seuss Creative Fun

Wacky Wednesday, by Dr. Seuss, inspired our creative fun today.  — Shoes on the wall, on the ceiling and under the bed. Worms chasing birds. Hoses, while split, still watering the lawn. — My students giggled, and eagerly shared each wacky thing they noticed.

They didn’t want to stop, but I told them “We must! I want you to have plenty of time to have your own wacky Wednesday fun!”

They were not immediately convinced. But, I assured them we would keep the book in our library, and they could read it as much as they wanted. Finally, they relented and moved to the chairs I had prepared.

I reminded them of our time together in yoga, when I invite them to take off their shoes and socks. “Now,” I said, “I’m not going to invite you to take off your shoes and socks. I’m going to tell you to take them off. We cannot do our wacky Wednesday creative fun unless you take them off.” Giggles and talking increased as they hurried to their cubbies and back again — with feet bared!

Paper was taped to the floor in front of each chair. Plastic egg cartons filled with paint, rested on paper towels. I encouraged them to guess what we might be doing.

“We’re going to paint with our feet!” … “Yes,” I said, “but how?”

“We’ll stick our feet in the paint!” … “Good guess, but no. We’re actually going to use a paint brush.”

“We’ll paint our feet and put them on the paper!” …”OH! Great idea, but no.”

“We’ll paint our toe nails!” … “That would be fun, but not today.”

They continued guessing, each building on the next. They were doing a lovely job thinking divergently. They showed some fluency, flexibility, and elaboration – each idea building upon the ones that came before, informed by my responses.

Finally, nearly jumping out of her chair, R. said “I know! We’re going to hold the paintbrush in our toes!!!!!” …. “YES!”

Laughter and conversation erupted in the room – making it nearly impossible for me to speak and be heard. I encouraged their enthusiasm, but asked them to do try to stay quiet until we began. They contained themselves, as best as they could, and after some brief instruction and encouragement, they began.

Some jumped in with both feet — pun-intended, lol — and used their toes to grip their pencil, and write their name.

feet writing

When M. finished writing she said, “That was hard. And it doesn’t look very good. It’s messy.” … “No way!” I replied. “That’s fantastic! You did that with your toes! How awesome is that?”

Was it as good as she could do with her fingers? No. But did that matter? Was that the right criterion to use to evaluate it? No! Her process and product  were remarkable. She gripped the pencil with her toes. Figured out how to create each letter in her name, and wrote them in a rather straight line! Perhaps most importantly, she showed great initiative, courage, and grit, and I wanted to acknowledge that for her.

Everyone joined in the fun — even me. My students were enthusiastic and joy-filled painters — quite willing to try, and try again.

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I was surprised by my reaction to the experience. It was hard! Hard to hold the paintbrush. Hard to figure out how to dip it in the paint. Hard to guide it on the paper. Just hard!

I did it, but I didn’t enter into the experience like they did. I think their were multiple reasons why. Each is worthy of my thought, consideration and remembering as I continue to work with my students, and for my own growth as a creative and an educator.

Here are some of the things I noticed:

  1. My support of my students — in word and presence — is powerful.
  2. Time to practice and play with the tools and process before beginning is important.
  3. Embracing positive thoughts about ourselves as artists and learners is essential.
  4. Adopting the joy, freedom and openness of a beginner’s mind is helpful.

My students often return the favor and support me with their word and presence. Today I didn’t have the opportunity to allow them to support me. I also didn’t have the time to practice and experiment before beginning. But perhaps most interesting to me, unlike my students, I didn’t immediately embrace positive thoughts about myself or my process, and I didn’t adopt the the joy, freedom and openness of the beginner’s mind.

I can learn so much from my students. They are truly fantabulous!

Quieting my mind with a good tangle

Wow I had a tough time turning off my brain … and to be honest, my spirit … last night. It seemed everything just wanted to stay wound up a bit too tight to allow for sleep.

Thankfully, as I went up to bed, I noticed my black art squares sitting with a pack of white, gold and silver gel pens. “Oh!!!” I thought, “That’s what I’ll do! A zentangle ©.”

I’ve zentangled – or did my version of a tangle – many times previously. I have always enjoyed it but never really experienced it as zen-like as some suggest it might be. But I have to say, for some reason, last night it was really a zen experience!

I picked up a sheet of paper I had previously discarded because I had been unhappy with my placement of the strings (zentangle boarders). I used the parts of the strings I liked, and casually reworked just a bit of the string placement. I decided to work using only white ink (because I didn’t use any white the last time I tangled). I worked with some designs I’ve used previously, and allowed myself to be inspired by others’ designs, in order to create new ones of my own.

Perhaps it was because I was so tired. (Did I mention it was 1AM?) Perhaps it was because I wasn’t really trying to create something – I was just playing, treating the page almost like a piece of scrap paper. Perhaps it was using the form but not feeling bound by the form. I’m not really sure. But whatever the reason, the process was particularly peaceful, free, and enjoyable.

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I added the paraphrase of a Thich Nhat Hanh quote as both an affirmation of what I was doing, and as a reminder of what I always want to do…

Breathe, believe, and be. Smile, cultivate calm, and be cognizant and grateful for the present, wonderful moment.

…………….

With gratitude to the creators of Zentangle and the many people doing great inspiring work, here are a couple links:

http://www.zentangle.com – The website of Zentangle Method creators Rick Roberts and Maria Thomas

http://sandybee.weebly.com/ – The website of Sandy Steen Bartholomew.