I Wonder …

…what my Kindergarten artists will think, do, and feel when we work on this art process and product.

I am super hopeful …

  • their big beautiful brains will be filled with ideas and wonder.
  • they will jump in with confident hope.
  • they will experience the joy and excitement I feel when I create art.
  • they will know they are artists who can make decisions about their art.

 

These are my practice, and inspiration pieces.

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After making the first piece, I tried another using the new stamp pads I bought for my Kindergarten artists. As I prepped the page, I wondered what it would look like if I added a piece of tape down the middle.

I like it, and am adding it as an option for my Kindergarten artists.

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The boarders are created using frog tape. It creates a nice sharp edge, and even more importantly, can be removed without harming the paper. The circles are stamps created from some tubes one of the students brought in. I cut them on our bandsaw so I’d have enough to give each artist a small stamper and a large stamper.

My rules for the project will be:

  • Everyone needs a boarder.
  • Circles are colored with crayons.
  • The background is filled with watercolor.
  • Sign your work! (Which, by the way, involves many artistic decisions.)

My suggestions will be:

  • Consider overlapping the circles and letting the circles extend beyond the boarder.
  • Practice stamping on a scrap paper so you feel comfortable working on your piece.

My artists’ options and decisions will be:

  • What colors will I make the circles?
  • What color will I make the background?
  • Will my background be one color, or many?
  • Do I want a piece of tape to intersect my paper – creating two pieces?
  • Where will I put that piece of tape? (The options are endless!)

My jobs will be many:

  • To show the artists that unexpected things (tubes from shoes, painters tape) can be used to create art.
  • To expose them to the idea of combining various mediums into one project.
  • To encourage them to think.
  • To empower them to make decisions about their art.
  • To explain the rules … and the options.
  • To enjoy my artists, their process, and their products.
  • To document their process and work.
  • To be open to their interpretation of the process.
  • To be willing to allow them to modify the process … depending on their interpretation, desires, and/or needs.

All my jobs are important, but those last two, they are paramount.

If I want my students to know they are artists, and to actually BE artists, I need to give them the freedom and respect artists need, crave, and deserve. If I want them to learn to make decisions, problem solve, wonder, and create, I have to give them the space, empowerment, and opportunity to actually DO IT!

 

 

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Creative Arts and the Art of Creativity

Amazing how much past learning, reading and conversation is coming to mind and  informing this post.  Thinking of a title for the post I considered Creative Arts or the Art of Creativity. Almost immediately, Uri Alon’s TEDtalk, and his use of the phrase “Yes, and …” popped into my mind. Nope, can’t be or, must be and. Hence the blog post title —  Creative Arts and the Art of Creativity. Both are valuable and important, and I don’t want to suggest anything different in my title.

Will Burns wrote an article entitled Should Education Focus Less on the Creative Arts, More on the Art of Creativity? I loved his conversation with his son about creativity.

Just this morning I asked my son who just graduated high school to name the most creative person in his class and why he thought so. He thought about it and said, “I think it would be Cassidy Davis (changed name) because she is incredibly good at drawing people’s faces.” My son seemed to equate “creativity” with a talent. But, interestingly, he went on to say, “Yeah, she does these drawings of people but then puts them into these scenes that are totally trippy and surreal.” (Will Burns, Forbes, August 7, 2017 @ 01:26 PM)

Burns exclaimed “Now that is creativity.”

I chuckled when I read that. I agree, that does sound creative. Cassidy moved beyond her talent to produce “good drawings” and interjected some creativity — placing the expertly drawn faces in fantastical scenes, created in her imagination and translated onto the page through her fingers.

Considering the definition of creativity, and whether or not something was creative, brings me back to the many awesome conversations with Karl during and after my MA Creative Thinking work at UCLan.

What exactly is creativity? Is it the same as talent? Is it connected to talent? Can we teach it? How? (And, a zillion other questions.) For now, the important conversation centers on the definition of creativity.

Creativity is new and useful or appropriate. So yes, when I read Burn’s son’s description I thought “Wow, that sounds creative, and quite cool.” But, if Cassidy’s drawings were not appropriate to the task at hand, they would not be creative. Talented and unique, perhaps, but not creative. Interesting, right?

I thought of this the other day as I did some plein air painting in the Adirondacks.

After hiking in, I settled myself, and my watercolors, on rocks in the river. I love this spot on the Ausable River, and I wanted to enjoy the river, the air and the moment. My artistic/creative goal was to capture the movement and spirit of the water, while incorporating a bit of the color mixing I had done at home.

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As I sat — breathing and thinking in this great space — I was splashed repeatedly by the river as it flowed by me. Through those splashes, I felt the river asking for my attention, gently nudging me to capture its essence by actually using it in my painting.

I put aside my waterbrush and began gathering water from the river. Slowly, splashes, drips, and then rivers of water, formed on my paper. Grabbing my brush, I wet my paints with the river water. The many colors of nature began to form on the page as the paints moved through the water. Sometimes they glided past one another without mixing, and other times they crashed into one another, swirling into ribbons and pools of new colors.

It was a fascinating and enjoyable process. I noticed the many things I could, and could not control in the process. Much like I must do when walking on the river, I accepted and relaxed – respecting the power but not fearing it.

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I am not sure anyone would consider me a great watercolor talent after seeing this painting. I am growing in my knowledge, skill, understanding and talent. But, a great talent? Not yet.

But, is it creative? Yes — it is a new idea that is appropriate to my task and goal.

I wasn’t sure I had achieved the essence of the river until I tried to photograph the painting. It looked best when it sat amidst the rocks. Just like the water around it, it gathered strength, grace, beauty and meaning from the rocks.

Back to one of my original questions. Is creativity the same as talent? No.

Is it then, completely different, completely removed from creativity? Again, no.

Thesaurus.com includes ability as a synonym for talent. They define it as “natural or acquired power” in something.

I am, for the first time, having this insight about talent and creativity. Perhaps talent and creativity are related just the way talent and playing the piano, talent and doing math, or talent and fencing are related. As my skills grow, my talent grows. As my understanding grows, my talent grows. As I practice, try, fail, learn, succeed — my talent grows. The talent can be in relationship to a plethora of different things — including creativity.

And, as my creativity grows – as a thinker in general, or in a specific arena – my talent, so to speak, always grows. Think of jazz musicians, scientists developing life saving drugs, mathematicians proposing or solving incredible problems, poets writing exquisite poems — their talent feeds their creativity, which in turn feeds their talent! It is a beautiful feedback loop.

Neither talent nor creativity are fixed abilities. We all have the ability to be talented and creative. Some may be more innately talented or creative, and levels of talent and creativity vary.  But, and this is an incredibly important thing for everyone — perhaps especially, parents, teachers and young people — to hear, with learning and practice, everyone can grow in talent and creativity.

This leads me back to Mr. Burn’s article Should Education Focus Less on the Creative Arts, More on the Art of Creativity?  and back to my “Yes, and …” from the beginning of this post. I love Burn’s thoughts in his article about the importance of creativity, and of a teacher with an MA Creative Thinking to help others navigate. However, I lean towards Uri Alon’s idea — Yes, and.

Yes, creative arts, AND, yes, ABSOLUTELY, POSITIVELY the art of creativity.

I think, perhaps, Mr. Burn’s would agree with that statement. But, that’s for another post!

Student Voice in Art

I enjoy Andy Warhol’s use of bold, sometimes unexpected colors in his photographic prints. Some of my favorites are his flowers and Marilyn Monroe. Oh, lol, and his pink cow on a yellow background!

I pondered many Warhol inspired art projects for my Kindergartners. I wanted the project to have Warhol’s repeated images and use of bold colors, but I also wanted it to be child and time friendly. After many iterations I decided I would have them use their hands as the repeated element.

The steps I decided upon were:

  1. Trace each hand, with some overlap in order to create spaces on the page, and then go over their tracing with sharpie markers of their color choosing.
  2. Use liquid watercolor paint to create the background – filling the different spaces with different colors.
  3. Place their hand-print inside each drawn hand. (Painting each palm with a color of their choosing.)
  4. Use colorful dots and rectangular pieces to create bracelets on each of their wrists.
  5. Finally, create something to glue onto the palms of their hands.

I was very happy with the process, and mildly happy with how my sample turned out. I wished I could be very happy with my sample, but no matter how I tried to change it, I couldn’t get it to a place I loved, so I decided to stop fretting, trust the process, and see what my young artists were able to create.

Soon after beginning someone expressed alarm, “I painted the watercolor on one of my fingers. I wasn’t supposed to do that, was I?” All eyes looked to me. “No worries,” I said, “Look at the art Andy Warhol did. Does it look like he stayed in all the lines?” They responded with a relieved “No.”

Shortly thereafter, someone noticed a friend painting the inside of her hands. She seemed to have forgotten, or not really heard my instructions, or was just enjoying her process. “You’re not supposed to paint inside your hands with the watercolor! Right, Miss James? She’s not doing it right!”

The hand-painting artist looked up with a look of dismay. I took a breath and thought … What is really important here? Is it OK? Might she, and any other, paint inside the hands?

With that brief moment to think I realized what was important, and I said, “Well, I did say we weren’t going to paint inside our hands with the watercolor. But, do you think she is being inspired by Andy Warhol? Is she using bold, unexpected color? Is she making each hand different in some way?” They all responded, “Yes!” I smiled, and continued “I didn’t think about painting inside the hands with watercolor, so I didn’t do it. And, I didn’t suggest it to you. But, I think it’s a great idea. If you like it, give it a go. Let’s see how they come out.”

Everyone went back to work. As I walked around the room I was amazed by the beauty and depth in these Kindergartner artists work. It was far more lovely than mine. I told them “Wow! I love your ideas and your work. Painting the insides of your hands, and using so many colors for the background were really beautiful ideas! I think what you have created is so much better than mine. Thank you for sharing your ideas and art courage with me! I’m going to share your ideas with the artists tomorrow! (Art is done in half groups.)

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I could have easily said “No!” when asked if they could deviate from my process. I could have required them to work with my ideas, my thoughts, my creativity. But, I – we – would have lost so much if I had! Being clear about what was important – following the big ideas of Warhol’s prints, and finding our own artistic voice – I was able to let go, quiet my voice, and let their voices grow strong.

I’m so glad I did.

 

Hiking Art

I bought a travel watercolor set to have with me in my pack on my hikes this week. It’s a nice Sakura Pocket Field Sketch Box. I got it in an awesome little bookstore on the main drag of Lake Placid that has an amazingly nice art section! It was an impulse buy on a rainy day walk into town.

I’m not a trained painter so I looked for creative ways to translate the nature and inspiration I experienced on our hikes, using  watercolors.

We did a short hike out to Moose Pond. It’s a beautiful spot to sit, breathe, pray, eat, and relax. The water inspired me that day. I thought about wetting the entire page with pond water, but wasn’t sure what I would do next. So, I did nothing! I sat, looked, and just experienced the place. I noticed irises growing between the cracks in a rock on the water’s edge. That sparked an idea! If I used one of the leaves to put the pond water on the page, I might be able to mirror the feeling of the water – movement, sunlight, colors, and flow.

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Baxter Mountain was our next hike. The wind at the top was sensational. It was my inspiration that day. But, how to show it?

The sound and force of the wind is hard to miss. It almost constantly moves the leaves and  actually changes the way tree branches grow. I love the sound and force of the wind, and the shaking of the leaves was a visual cue, so I knew I wanted to capture that … somehow.

It’s remarkable how awe inspiring, and moving (pun intended lol) the wind is to me. I absolutely love it. So, instead of of painting, I found several spots to sit, do yoga, eat, pray, and just let the wind buffet me. I collected a few leaves before we hit the trail off the summit, stuffing them in my pack to use when I got home.

Here’s my first leaf inspired piece.

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It took form as I worked. I wasn’t happy with it at first. But, I ignored my displeasure with the product, and kept going, enjoying the process. As I did, ideas came to me. I remembered a bubble art project I did with my Kindergarteners, and let that direct me.

I really like the abstract nature of the finished piece. And, I love the accessibilty and transferability of the method! I’m contemplating how to incorporate it into my class this year. It has nice potential as an art-science integration.

Rain has interrupted my hikes but not my art. Today I worked on getting watercolor paint to adhere to the leaves I gathered yesterday. My plan was to make leaf prints.

This is much harder than it seems. Close your eyes and imagine rain hitting the leaves. What does it do? Yup, it beads up! So guess what the watercolor paint does … beads up! Ugh! But, with a bit of stubborn persistence – wearing down the leaf it seemed, and getting the paint to the right consistency – it worked. The paint stuck to the water resistant leaf!

I am super happy with the result. The colors remind me of the leaves, sky and sun. The one in the middle is that one brilliantly colored red leaf we always come upon on our hikes. The black is the large rocks that encourage thousands of nature-filled step ups and downs on our hikes, as well as the small stones that sometime weigh down my pack. Next time I may put the black around the entire edge. We’ll see. It’s a process, and I’m loving it!

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Speaking of process, clearly my process involves mess! It never feels like mess while I’m working. It feels like (and is) immersion, beauty, intentness and art!

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But, yeah, my process is messy, and I’m good with that!

 

 

 

 

Expected, and Unexpected, Process and Product

“Would you come up with something creative we can do together at our next ELA meeting?” That simple question was the beginning of what would become, for me, a fabulous process and product!

It was a crazy time of year. We were all a bit stressed, with tons to do. “Perfect!” I thought. “Let’s take all that angst and struggle, and use it to make something beautiful!”

Our tools:

  1. sharpie markers (preferably black)
  2. old gift cards or credit cards
  3. acrylic paint
  4. canvas panel
  5. old magazines
  6. white glue
  7. bravery
  8. boldness
  9. openness
  10. joy

Our process:

  1. Think of all the things that are making us crazy, or cranky or stressed. As the end of the year approaches, that list can become very long. I encouraged myself, and my colleagues, to think of things from all areas of our lives.
  2. Write them down, in permanent, bold, black ink, all over the canvas. Be free! Write them one on top of the other. Make lists. Write big. Write small. Print. Write in cursive. Cross them out. Make them bold. Add lots of exclamation points. Curse if you like. LOL!
  3. Remember this is for you, no one else. No one gets to check it before you add the next step. No one sees it unless you choose to share. Be bold. Be brave. Be honest.
  4. When done, put the cap on the pen, and set it aside. Look at the canvas. Good? Anything else you want to write? Anything else you want to add? If so, pick up that pen again, and add it. If not, move on to number 5.
  5. Choose some colors. I like to be free, but mindful, in my color choices. Some colors become mud when blended. Sometimes muddy is good, but other times, not so much, hence the mindful part.
  6. Put  small dabs of the paints on a paper plate or tray.
  7. Using one of those old cards as a palette knife, pick up some of the paint and get it on the canvas. The card allows for a thick or thin paint application. Thick application can add texture or the possibility to completely obscure your words. Thin application allows for more layering of colors, and causes the texture of the canvas and the written word to be more prominent.
  8. Be free with the paint application. Don’t fret about mixing colors. Use only one card for the entire work. If you have too much paint on it, or want another color free from any other, grab a paper towel and wipe off the card. Experiment with thick or thin. (I like a thin application so the handwriting can be seen, but when it is your art, use your own preferences.)
  9. Flip through the magazines to find words or images that are the opposite of the words you wrote on the canvas. Find ones that inspire you. Search for beauty, peace, breath, love, laughter, or whatever else makes you say, “Oh, this is good!”
  10. Tear them out of the magazine! Experiment with different angles, with how much space you leave around the words, and with tearing in different directions. You might be surprised with all the variations you can get.  (If you must, lol, you can cut them out. But, if you can live with the possibility of ripping something wanted, and the less than perfect edges of the tear, then please, tear them. I promise, the results can be beautiful, and meaningful.)
  11. Once your canvas has dried, place these images and words on the canvas. Explore varying layouts. When you find one you like, use the glue to make it permanent. Be aware, if you haven’t cleaned your hands you may end up with some unexpected color. Don’t worry if that happens, there is one more step!
  12. When the glue has dried, add one more layer. Find or make a stencil and use it. Add color with your fingers. Grab a stamp and see what you can do with it.

Here is my final product.

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Or so I thought!

This is my product, and I love it, but it turns out it was not my final product. There was more. There was the unexpected process and product, and it was fantabulous!

As I drove home, my thoughts returned to the meeting, my colleagues, our process, and our product.  So many thoughts, observations and wondering. And then, my thoughts turned to my product.

“I wonder if I can read what I wrote? Maybe if I look really closely?”

There was definitely part of me that wanted to read them again. Hold on to them. Feel them again. Experience their power. Another part of me speculated it might have been better to have completely concealed my words under a think coat of paint. I resisted any urge to pull over and examine my canvas, lol, and reminded myself that the point of the process – outside of pure creativity and joy – was to let things go!

When I got home I pulled my canvas out of my bag, and spent some time with it.

I liked it. It wasn’t perfect, but it was interesting. It wasn’t flawless, but it was beautiful. And those imperfections and flaws? They added to its interest.

I couldn’t read my words, but I could see my writing, and I loved that! The writing added depth and texture to the work.

Then I had an aha moment … my final product (at least for now).

The piece was just like my life. Multi-layered. Not perfect, but pretty fabulous. And those things that make me anxious, stressed or cranky? Endured, survived, embraced, laughed about, cranked about, talked about, prayed about, and released – even if they remain in some fashion – they make me better, more interesting, more awesome, more me.

 

 

 

 

 

 

 

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Dr. Seuss Creative Fun

Wacky Wednesday, by Dr. Seuss, inspired our creative fun today.  — Shoes on the wall, on the ceiling and under the bed. Worms chasing birds. Hoses, while split, still watering the lawn. — My students giggled, and eagerly shared each wacky thing they noticed.

They didn’t want to stop, but I told them “We must! I want you to have plenty of time to have your own wacky Wednesday fun!”

They were not immediately convinced. But, I assured them we would keep the book in our library, and they could read it as much as they wanted. Finally, they relented and moved to the chairs I had prepared.

I reminded them of our time together in yoga, when I invite them to take off their shoes and socks. “Now,” I said, “I’m not going to invite you to take off your shoes and socks. I’m going to tell you to take them off. We cannot do our wacky Wednesday creative fun unless you take them off.” Giggles and talking increased as they hurried to their cubbies and back again — with feet bared!

Paper was taped to the floor in front of each chair. Plastic egg cartons filled with paint, rested on paper towels. I encouraged them to guess what we might be doing.

“We’re going to paint with our feet!” … “Yes,” I said, “but how?”

“We’ll stick our feet in the paint!” … “Good guess, but no. We’re actually going to use a paint brush.”

“We’ll paint our feet and put them on the paper!” …”OH! Great idea, but no.”

“We’ll paint our toe nails!” … “That would be fun, but not today.”

They continued guessing, each building on the next. They were doing a lovely job thinking divergently. They showed some fluency, flexibility, and elaboration – each idea building upon the ones that came before, informed by my responses.

Finally, nearly jumping out of her chair, R. said “I know! We’re going to hold the paintbrush in our toes!!!!!” …. “YES!”

Laughter and conversation erupted in the room – making it nearly impossible for me to speak and be heard. I encouraged their enthusiasm, but asked them to do try to stay quiet until we began. They contained themselves, as best as they could, and after some brief instruction and encouragement, they began.

Some jumped in with both feet — pun-intended, lol — and used their toes to grip their pencil, and write their name.

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When M. finished writing she said, “That was hard. And it doesn’t look very good. It’s messy.” … “No way!” I replied. “That’s fantastic! You did that with your toes! How awesome is that?”

Was it as good as she could do with her fingers? No. But did that matter? Was that the right criterion to use to evaluate it? No! Her process and product  were remarkable. She gripped the pencil with her toes. Figured out how to create each letter in her name, and wrote them in a rather straight line! Perhaps most importantly, she showed great initiative, courage, and grit, and I wanted to acknowledge that for her.

Everyone joined in the fun — even me. My students were enthusiastic and joy-filled painters — quite willing to try, and try again.

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I was surprised by my reaction to the experience. It was hard! Hard to hold the paintbrush. Hard to figure out how to dip it in the paint. Hard to guide it on the paper. Just hard!

I did it, but I didn’t enter into the experience like they did. I think their were multiple reasons why. Each is worthy of my thought, consideration and remembering as I continue to work with my students, and for my own growth as a creative and an educator.

Here are some of the things I noticed:

  1. My support of my students — in word and presence — is powerful.
  2. Time to practice and play with the tools and process before beginning is important.
  3. Embracing positive thoughts about ourselves as artists and learners is essential.
  4. Adopting the joy, freedom and openness of a beginner’s mind is helpful.

My students often return the favor and support me with their word and presence. Today I didn’t have the opportunity to allow them to support me. I also didn’t have the time to practice and experiment before beginning. But perhaps most interesting to me, unlike my students, I didn’t immediately embrace positive thoughts about myself or my process, and I didn’t adopt the the joy, freedom and openness of the beginner’s mind.

I can learn so much from my students. They are truly fantabulous!

#Show your Work!

I’m doing final preparations for my National Coalition of Girls Schools 2016 Global Forum presentation, and I picked up Austin Kleon’s books – just to immerse myself in some good creative energy and thought. On page 44 I found this:

“3. SHARE SOMETHING SMALL EVERY DAY!”

Every day. EVERY day! Eee gads. Yup, that’s what I thought, Eee gads! Lol, how in God’s name can I do that, and not lose my mind? or my health? or both?

Then I read it again. Share something SMALL every day. Something SMALL!!!! 😀 Ah, I can do that. Well, lol, honestly, I don’t know if I can, but I can try. Maybe I will share something small some days …. or most days … or every  week. Who knows? But, I am embracing sharing something small today.

So, (along with my presentation) this is what I’ve been working on the past few days. (My plans are to do a smaller version of this journal with my Kindergarteners!)

Front outside cover…

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Front inside cover …

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Acrylic paint applied with an old credit card and my fingers, collaged with hand written papers and papers torn from magazines, embellished with paint marker writing.

I’m embracing the process, and the work — in its mess, and uncertainty, and “unfinishedness” — as an artistic representation for my life, my health, my journaling … sometimes messy, sometimes fantastic, sometimes beautiful, always in process! And, much like my life, I’m liking it!

(Btw, the back inside and outside cover remain blank canvases … white gesso … awaiting further time, inspiration, desire.)

Resources:

Show your Work! 10 Ways to Share Your Creativity and Get Discovered (Austin Kleon, 2014 Workman Publishing Co).

Courageous Creativity

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Sometimes we have to show a little courage in order to encourage it in our students!

Our math coordinator felt, I think, a little left out of my Kindergarten classroom. It is a lovely space, rich in the opportunity to do math, but not so rich in the “in your face, obvious, look this is math” kind of way! I love math, yes, for real, I really do. So I thought “Let’s go all out!”

I pulled out two canvases. They were beautiful! Big, thick, pristine, white canvases. I was excited to make some sort of creative, statement piece. Something that was fabulous artistically and aesthetically, and actually said something about math.

You may recall, I’m sometimes a bit of a chicken when it comes to the big, blank, white page! And, let me remind you, this was not a only big, blank and white, it was a canvas, and not a cheap one at that. But I had no time for timidity! I had two days to create two canvases. Eeek!

I flipped through a couple mixed media art books, and came upon many ideas I thought I could use – putting paint on the canvas with an old credit or gift card, creating layers with stencils and cut paper – and perhaps most importantly, not being afraid of the process.

A deadline is not always helpful when you are being creative, but this time, it was incredibly helpful. I didn’t have time to entertain my fear of the blank page, or the possibility of destroying the canvas. I had to trust the process, the colors and me, and just do it! So I did.

It was super fun and super freeing. Hopefully it will inspire parents and students to wonder, investigate, think, share, strategize, question, problem solve, reason, make mistakes, try again and learn … even if they are feeling a bit trepidatious!

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The Crayon Initiative

Have you ever heard of The Crayon Initiative?  Me neither! Until today.

The Crayon Initiative recycles “unwanted crayons into unlimited possibilities for children.”

How cool is that?

I’m sure there are lots of people/organizations who are doing creative repurposing with crayons, but for now, I’m liking and blogging about this one! 🙂 (No disrespect to any of the others.)

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I like the process they talk about as they tell their story …

  • twirling a crayon – deep in thought
  • wondering out loud
  • asking questions
  • discovering a problem
  • being confident in their ability to discover a new way to address the problem
  • accepting the challenge to make a positive change
  • thinking
  • ideating (having ideas! Awesome word, isn’t it? Around since the 1800’s I believe)
  • bringing one of those ideas to life to “recirculate the endless supply of free materials and bring the Arts to children everywhere.

There’s a lot to love about this! The process, the creativity, the crayons (I happen to love crayons, lol.) the openness to possibility, the thought, the action, and the benefit to children and the environment.

Rock on Crayon Initiative!

Let’s follow their lead. Let’s wonder, question, think, ideate, believe, and make positive innovations!

 

Gustav Klimt and Kindergartners

Gustav Klimt is a favorite artist of mine. I enjoy finding ways to share his work with my students. Take a look at this work of his.

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It is beautiful! Clearly it’s a masterpiece, and yet in many ways it is a work accessible to my kindergarten students. It is a combination of shapes – both in the detail and the figures.

I always have the girls work on a mixed media project when we are inspired by Klimt. I find it helps them express the detail he expresses when they have many mediums with which to work. Plus, it allows them to explore various mediums at the same time.

Typically, I bring in some of my art materials to share with them. They love the chance to use “real art mediums and tools” and treat all my things with the utmost respect. I love that my sharing expresses my respect for them as people and artists, and, hopefully, encourages them to be generous with the things they value.

This year I introduced them to Klimt while we were exploring shapes in math. I showed them full pieces, but spent most of the time drawing their eyes to the details and shapes found throughout his work. The girls enjoyed finding spirals, circles, squares, triangles, diamonds, rectangles and the many combinations of shapes Klimt created.

I decided to have the girls work on a trio of small art-pieces instead of one large piece. I hoped it might help them be more able to fill the paper with shapes. While I love having them work on large canvases, sometimes the size overwhelms them. We worked on 3×5 inch pieces of multi-media paper. When the girls were finished I mounted their work on a black background to create a triptych.

It was fabulous to sit and work with them. We shared pencils, artist markers, sharpie markers, a travel water color set, gel pens, crayons, pastels and security envelopes (fabulous idea I learned from Dar Hosta and Deb Barends).

“Oooh, I like that!” “Can I try that?” “How did you do that?” “Oh I never thought of that!” flowed across the tables as we admired each other’s work, and were inspired to give the new ideas a try. While they sometimes need a reminder, they are learning to see “copying” their ideas as a compliment rather than a transgression. I encourage those who “copy” to truly be inspired, and to make subtle, or large, changes in order to make the work their own.

I was, as always, impressed by their process and product. They have great, big, beautiful hearts and often it seems that beauty just flows out onto the paper. We learn from each other to be free with our work, loving the process and each other.

While I was working on a piece, one of the girls asked if I would like her to help me. “Sure!” I said, although I wasn’t sure what might be created. Her additions to the piece were wonderful, and made the piece much more beautiful than if I had done it alone!

I’m not sure anyone would realize we were inspired by Klimt, but we were, and we too created beautiful works of art. Here are a few from six of my students. Enjoy and be inspired!

girlsklimts

Resources:

Klimt Museum http://www.klimt.com