Wow! What an Experience!

Sometime tired, rainy days hold untold treasures! I was on vacation a couple weeks ago, deep into a tired and rainy day. Lazing about, and looking for something to do, I discovered the LPCA was offering a 3 hour watercolor class. I hoped for good things and secured my spot.

Sarah Yoeman — one of four artists featured in the LPCA The World Through Watercolor exhibit was the instructor. She is a talented watercolorist, and a superb teacher.

The workshop was filled with instruction, experimenting, playing, painting, conversation, laughter, and lots of learning. I learned about paint, paper, brushes, gravity, erasing, taking risks, value, shapes, moving paint, using water, and being in the moment. I took photos and notes. I experimented, kibitzed, taped, painted, and created watercolors I enjoy.

My brother joined me for the workshop. We spent a lot of time looking at Sarah’s art, and our own. We discussed the things we noticed. We talked about value and shape, and how she created various images.

It was a great afternoon. I left with increased skill, confidence and joy.

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When I looked at my notes that evening, I discovered I had inadvertently skipped a few pages in my journal. Eee gads. I wasn’t loving that mistake. I stared at the blank pages, wondering what to do. After a few moments, inspiration hit. Why not fill them with my reflections about the experience?!

My thoughts quickly filled those pages, and overflowed onto others. I was struck by my level of enjoyment, motivation, and ability to engage deeply with the process. It felt like I had experienced 3 hours of an optimal teaching-learning relationship.

With that thought, I excitedly thought of my paper — Managing the Classroom for Creativity. I wondered if I might find all the elements of my amended KEYS classroom management system in Sarah’s workshop. I pulled up the paper to remind myself of all 8 points in the system and compared them to my experience in the workshop.

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Freedom

Our goal for the workshop was to explore the world of watercolors and  let Sarah guide us in creating your own watercolor work or art.

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Even the goal offers a great deal of freedom — a watercolor work or art. Sarah shared information, made suggestions, and demonstrated technique. Then she set us free to explore and experiment.

We were free to use one sheet of paper or more. We could section the paper into multiple sections, or keep it as one. If we didn’t like our piece we could try again on the back. She suggested we stand as we paint — giving us her reasons for doing so — but she allowed us to explore and choose what worked best for us. While she demonstrated various techniques, she didn’t require us to use any one in particular.  She encouraged us to experiment, be bold, and take risks.

Positive Challenge

The ideal level of challenge is one that engages without overwhelming. Sarah helped maintain this level of challenge by affording me the freedom to choose my challenge. But, interestingly enough, I found it was her presence and interaction with me that helped me maintain the optimal level of challenge. As I became overwhelmed, she offered help in the form of a thought, a suggestion, or simple encouragement. If I took too easy a route, she encouraged boldness. And, she normalized the struggle inherent in positive challenge by freely sharing her angst with her process and product.

Supervisory Encouragement

Right off the bat, Sarah shared The Three Laws of Art:

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They cracked everyone up and helped to establish an environment free from fear and worry. The laws suggested failure was to be expected, and helped us to accept it with a modicum of grace and ease.

Although Sarah was far more accomplished than us, she interacted with us as equals. It was clear she had more experience, expertise, talent, and knowledge. It was clear she was the teacher. But, or perhaps, because that was true, treating me as a colleague, a fellow artist, helped elevate my own sense of self, and consequently my thought, process, and product!

Sarah wandered about the room, observing, noticing, and commenting on our technique and product. She found things in everyone’s work to notice, praise, or share with the group. She pointed out the beauty she saw in entire paintings, color choice, shapes, expression of depth, or small portions of our work. Sometimes she encouraged new points of view by physically turning, or moving our paintings farther from us. By doing these things, she showed us the value of our work.

Work Group Support

Our group was diverse in experience and ability. Sarah’s banter and sharing of our work helped me to feel at ease. I began to appreciate my fellow painters expertise, courage, risk taking, and ideas. I was challenged by some of them, but always felt safe and secure.

Sufficient Resources

The materials we used in this workshop were excellent. We had unlimited access to lovely paper, juicy, pigment-rich paint, and professional level brushes of various sizes. This spoke to the importance of our work, and elevated us to the level of “real” artists. I appreciated that tremendously!

20180821_150037-01Access to these quality resources helped us succeed and accomplish our goals.  At one point I was having a tough time. Sarah happened by me, and suggested I use a different size paintbrush. Then looking at the paint I was using, she went and got her own palette to share with me! She brought several of her own palettes and brushes to share with us, and did so with a great generosity, and zero sense of indebtedness or worry on our part.

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Some of the best resources Sarah shared with us were her artistic-eye, her brain, her experience, and her hands and skills. These were invaluable.

Organizational Support

While just a short workshop, Sarah established great organizational support for us. She shared her vision of creativity available to all of us. She constantly suggested problem-solving strategies to help us succeed. Risk taking, boldness, and fresh ideas were welcomed and encouraged.

Profound image of child/student

Loris Malaguzzi (Reggio Emilia) knew children are “strong, rich, and powerful.” He would have loved Sarah. She saw each of us this way, and she helped us to see it as well.

Profound purpose and possibility of education/learning:

It’s clear Sarah loves to paint, and experiences something profound when she does so. She shared that love with us, and invited us to enter into the depth of the experience. And, I think, she gets the value of what she is doing when she teaches and shares with others.

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Every single one of the components of the modified KEYS approach to classroom management had been present and employed in Sarah’s workshop! WOW!!!

My research had been about other people — those in literature I had read, as well as my own students. This was the first time I experienced the Amended KEYS Classroom as a learner. Let me tell you, it was powerful!

Having experienced them myself, increases my desire to intentionally and deliberately incorporate them into my learning environment and management practice. It also makes me wonder how I might share this information on a grander scale?

 

POST SCRIPT: 

I blogged about my angst as I painted a few days after the workshop. At first I was incredibly surprised by the intensity of my angst, and my seeming lack of any learning and ability!

Taking a break, I sunned myself on a rock, feet dangling into the freezing river water. I took a moment to breathe and assess the situation. Certainly I didn’t lose all my learning and ability. But clearly something had changed.

I realized the change was that I was painting by myself. I no longer had the resource of Sarah and her skill and expertise right beside me. That is huge! Huge as a learner, and huge as an educator.

I didn’t enjoy the angst, but I’m glad I experienced it. And, I’m super glad I took a moment to reflect and had that epiphany.  Now to remember it, allow it to inform my practice, and look for opportunities to share it with my students.

 

 

 

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My Watercolor Process

I’ve spent a good bit of time watercoloring these past few weeks.  Today, I decided to share my process with you.

Now to be clear, I’m not suggesting you adopt my process in its entirety. Just saying you might learn something from it!

  1. Take a 3 hour watercolor class.
  2. Learn some cool things.
  3. Fall in love all over again with watercolors.
  4. Head out for a hike and some plein air painting.
  5. Forget I am a beginner.
  6. Fail to remind myself — “”Bad art happens to good artists!”
  7. Experience angst — lots of angst.
  8. Nearly fall out of love with watercolors.
  9. Resist throwing everything in the river.
  10. Drive 5 hours.
  11. Sleep 8 hours.
  12. Go to church.
  13. Breathe.
  14. Eat.
  15. Nap.
  16. Do things that have nothing to do with watercolors.
  17. Catch sight of an unfinished painting.
  18. Give in to the allure, and bring the paints out of hiding.
  19. Paint with more wonder, and less judgement.
  20. Experience the joy of process and product again.

 

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We Are All Beginners

I had grand plans, this summer. I would create art, progress on the ukulele, nap, travel, read, learn, and refresh my body, mind, and spirit. I haven’t done nearly as much of any of those things as I might have liked, but I have done some, and it’s been wonderful!

Lately, I’ve developed a love for watercolors. I’m no pro, but I enjoy dabbling. I think my love affair started when, on a rainy day, unable to hike, I wandered into a local bookstore in search of a literary diversion. Instead, of a good book, I discovered a wall of art supplies — real, professional grade art supplies. Paint, paper, watercolors, pencils, pens, rulers, paint brushes, and more! No lie, for a moment, my knees went weak! I adore creating art, and all the tools and supplies connected to it. It brings me great joy to simply touch beautiful art tools and materials. I left the store with a simple watercolor travel kit, and a watercolor paper block. I was hooked.

The other day I discovered these beauties. 37635898_10217065659493192_6164546794509303808_o

If it were appropriate to describe watercolor as delicious, these would be the ones! Of course, perhaps there are other, more expensive, more professional ones that are even more delicious, but for me, I was satisfied.

I enjoyed looking at, and admiring them for a few days. Then, as luck would have it, I found this wonderful artist online — Watercolor Wednesdays. She has some fabulous videos on youtube.

I watched a few, and was impressed by her process and product, as well as the spirit she brought to the table. I decided to break out my supplies and give it a go. Here are my products from today.

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Nice, right? Not perfect by any means, but I think I am beginning to understand more of the essence of watercolors. By that I mean, I am beginning to understand a bit more about how they work, and what they are meant to do, as well as how I might work with them.

It was a fascinating experience to take a breath and jump in. Don’t get me wrong, it was mildly daunting. But, it was fun!

In one of the first lessons I watched, she said she doesn’t worry about the end result.  “Really?” I thought. “You aren’t concerned about the end result?!!!” I decided to set aside my skepticism, embrace her point of view, and not worry about the product. Instead, I would just paint. Removing my focus and feelings from the final product, I was more able to be in the moment. Existing more fully in each moment as it happened, I was more able to experiment, observe, notice, learn, and do.

It was fun, but not particularly easy. It’s tough sometimes, to allow myself to be a beginner. As a beginner, I’m vulnerable. I must embrace my foibles as well as my less than perfect products. I have to be brave, and not fret about what others may think about me, my process, or my product. Perhaps most difficult, I must not be hard on myself as I experience all of the difficulty of learning something new. If I can manage to do all that, or at least some of it, I am more able to enter into the joy of discovery, and the exquisite, child-like joy of one who is discovering something new and fantabulous!

As I sat and looked at my finished paintings, I had an epiphany!

This is what I ask my students to do — every moment of every school day. Try new things. Embrace being a beginner. Be brave. Celebrate your successes, no matter how small. Don’t worry what others think. Don’t fret. Be kind to yourself. Keep trying. Be in the moment. Experience the joy!

Wow, right?!

It makes me think differently about the work educators and students do every day. It’s profound. Learning to read, doing math, writing stories, interacting with each other. It’s all like my experience with the watercolors. We are often beginners, and that can be intimidating. But it is also powerful. There is joy and incredible potential in being a beginner. Perhaps even more joy and potential than in being an expert.

I have a lot to think about!

I want to take this epiphany and let it help me grow as an educator and lead learner in my learning space. For now, I am going to think about how I might give my girls more time and opportunities to experience the joy and potential of being a beginner. I want to think how I might shine the light more brightly on the ways I learn, struggle, try, persevere, find joy in little things, and embrace me as me.  And, I want to find time for them to be in the moment — able to explore and try, without fretting about the product. Hopefully this will enable them to more fully understand and experience the essence of whatever it is they are exploring.

I’m excited to see where this light will lead me — and you!

Comments, thoughts, and stories of your own journey are always welcome!

Feeding My Creative Soul

“Feeding my creative soul.”

Just saying those words makes me breathe deep, and experience a wave of peace and enthusiastic child-like joy. Summer break, is the perfect time to engage in the many creative things that nourish me. Yesterday I took five online ukulele lessons. It was fabulous. I learned a lot, laughed at myself, enjoyed playing and singing, and discovered it is quite easy to trip up my brain and fingers. But, no worries, the laughter and enjoyment had me taking notes, and jotting down exercises to practice in order to increase my proficiency.

Today I’m in Princeton waiting to take a fencing lesson with my brother, Harry (He’s a fantabulous coach, by the way). Knowing that I would have a long wait, I packed a bag with yoga magazines, a mindfulness book, my laptop, and my traveling watercolor set.  Settling at the table, I didn’t even consider the many things I brought. I immediately grabbed the watercolor set. I chuckled to myself thinking “Why did you even bring the other things. You knew you would paint if given the chance.”

So, a little background. For months now, I’ve been thinking about a leaf painting I’ve promised a friend. A few nights ago I sat down with the paper determined to begin to work on it, instead of just think about it.

It sat there, looking at me. I sat there, looking at it.  I loved the leaf shapes I had traced — from real leaves found on the trail. I loved the black and white starkness, and if I may continue speaking of the paper as though it were a living, breathing, thinking being, so did it. But, we both wanted to see it come alive with color. More sitting, looking and thinking ensued. Then, it seemed we reached a decision together —  I would start, not with paint, but with ideas and inspiration.

I googled “watercolor leaf painting.”Wow! A plethora of fantabulous videos popped up. I was enthralled, and watched videos until my eyes were closing.  I had to do more exploring and practicing before I painted the leaves, but I had to paint something. So, instead of the leaves, I painted the background a black watercolor. I set the painting on my desk to inspire me when I awoke.

I mentioned my evening of study to the friend who will someday have the painting. She said “Molly, don’t spend so much time on it. It’s ok. Just enjoy your summer.” What she didn’t immediately understand was the joy I find in the process of watching someone create, and in learning how I might do the same.

Today I came prepared to move from simply watching, to watching and playing. I once more googled watercolor leaves, and found this video by Yashima Creates.

Her ideas and sensibilities resonated with me — experiment, try, be ok with my lack of expertise, and just paint. I enjoyed discovering the benefits and deficits of my brushes and my hand. I embraced the process, and enjoyed playing and seeing what emerged.

I have so much to learn, explore, master, and enjoy. But, for now I’m happy with this process and product. The color, and the composition that grew from the practice marks on the page rather than a plan are very pleasing to me. I know there is a lesson beyond watercolors that I am learning. For now I cannot express it in words, but it is there none-the-less.

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As I painted, and cleaned my brush on the towel next to me, I thought about my students. They would “ooh” and “ahh” about my painting, and tell me I am the best painter in the world. They would love my cleaning towel, and declare it a work of art, or a paper suitable for other creative pursuits.

It is lovely to have them encourage me even while they are not with me. I hope they hear my voice in their heads, over the summer and in years to come, encouraging them, affirming them, and calling them on to even greater things.

I Wonder …

…what my Kindergarten artists will think, do, and feel when we work on this art process and product.

I am super hopeful …

  • their big beautiful brains will be filled with ideas and wonder.
  • they will jump in with confident hope.
  • they will experience the joy and excitement I feel when I create art.
  • they will know they are artists who can make decisions about their art.

 

These are my practice, and inspiration pieces.

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After making the first piece, I tried another using the new stamp pads I bought for my Kindergarten artists. As I prepped the page, I wondered what it would look like if I added a piece of tape down the middle.

I like it, and am adding it as an option for my Kindergarten artists.

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The boarders are created using frog tape. It creates a nice sharp edge, and even more importantly, can be removed without harming the paper. The circles are stamps created from some tubes one of the students brought in. I cut them on our bandsaw so I’d have enough to give each artist a small stamper and a large stamper.

My rules for the project will be:

  • Everyone needs a boarder.
  • Circles are colored with crayons.
  • The background is filled with watercolor.
  • Sign your work! (Which, by the way, involves many artistic decisions.)

My suggestions will be:

  • Consider overlapping the circles and letting the circles extend beyond the boarder.
  • Practice stamping on a scrap paper so you feel comfortable working on your piece.

My artists’ options and decisions will be:

  • What colors will I make the circles?
  • What color will I make the background?
  • Will my background be one color, or many?
  • Do I want a piece of tape to intersect my paper – creating two pieces?
  • Where will I put that piece of tape? (The options are endless!)

My jobs will be many:

  • To show the artists that unexpected things (tubes from shoes, painters tape) can be used to create art.
  • To expose them to the idea of combining various mediums into one project.
  • To encourage them to think.
  • To empower them to make decisions about their art.
  • To explain the rules … and the options.
  • To enjoy my artists, their process, and their products.
  • To document their process and work.
  • To be open to their interpretation of the process.
  • To be willing to allow them to modify the process … depending on their interpretation, desires, and/or needs.

All my jobs are important, but those last two, they are paramount.

If I want my students to know they are artists, and to actually BE artists, I need to give them the freedom and respect artists need, crave, and deserve. If I want them to learn to make decisions, problem solve, wonder, and create, I have to give them the space, empowerment, and opportunity to actually DO IT!

 

 

Creative Arts and the Art of Creativity

Amazing how much past learning, reading and conversation is coming to mind and  informing this post.  Thinking of a title for the post I considered Creative Arts or the Art of Creativity. Almost immediately, Uri Alon’s TEDtalk, and his use of the phrase “Yes, and …” popped into my mind. Nope, can’t be or, must be and. Hence the blog post title —  Creative Arts and the Art of Creativity. Both are valuable and important, and I don’t want to suggest anything different in my title.

Will Burns wrote an article entitled Should Education Focus Less on the Creative Arts, More on the Art of Creativity? I loved his conversation with his son about creativity.

Just this morning I asked my son who just graduated high school to name the most creative person in his class and why he thought so. He thought about it and said, “I think it would be Cassidy Davis (changed name) because she is incredibly good at drawing people’s faces.” My son seemed to equate “creativity” with a talent. But, interestingly, he went on to say, “Yeah, she does these drawings of people but then puts them into these scenes that are totally trippy and surreal.” (Will Burns, Forbes, August 7, 2017 @ 01:26 PM)

Burns exclaimed “Now that is creativity.”

I chuckled when I read that. I agree, that does sound creative. Cassidy moved beyond her talent to produce “good drawings” and interjected some creativity — placing the expertly drawn faces in fantastical scenes, created in her imagination and translated onto the page through her fingers.

Considering the definition of creativity, and whether or not something was creative, brings me back to the many awesome conversations with Karl during and after my MA Creative Thinking work at UCLan.

What exactly is creativity? Is it the same as talent? Is it connected to talent? Can we teach it? How? (And, a zillion other questions.) For now, the important conversation centers on the definition of creativity.

Creativity is new and useful or appropriate. So yes, when I read Burn’s son’s description I thought “Wow, that sounds creative, and quite cool.” But, if Cassidy’s drawings were not appropriate to the task at hand, they would not be creative. Talented and unique, perhaps, but not creative. Interesting, right?

I thought of this the other day as I did some plein air painting in the Adirondacks.

After hiking in, I settled myself, and my watercolors, on rocks in the river. I love this spot on the Ausable River, and I wanted to enjoy the river, the air and the moment. My artistic/creative goal was to capture the movement and spirit of the water, while incorporating a bit of the color mixing I had done at home.

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As I sat — breathing and thinking in this great space — I was splashed repeatedly by the river as it flowed by me. Through those splashes, I felt the river asking for my attention, gently nudging me to capture its essence by actually using it in my painting.

I put aside my waterbrush and began gathering water from the river. Slowly, splashes, drips, and then rivers of water, formed on my paper. Grabbing my brush, I wet my paints with the river water. The many colors of nature began to form on the page as the paints moved through the water. Sometimes they glided past one another without mixing, and other times they crashed into one another, swirling into ribbons and pools of new colors.

It was a fascinating and enjoyable process. I noticed the many things I could, and could not control in the process. Much like I must do when walking on the river, I accepted and relaxed – respecting the power but not fearing it.

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I am not sure anyone would consider me a great watercolor talent after seeing this painting. I am growing in my knowledge, skill, understanding and talent. But, a great talent? Not yet.

But, is it creative? Yes — it is a new idea that is appropriate to my task and goal.

I wasn’t sure I had achieved the essence of the river until I tried to photograph the painting. It looked best when it sat amidst the rocks. Just like the water around it, it gathered strength, grace, beauty and meaning from the rocks.

Back to one of my original questions. Is creativity the same as talent? No.

Is it then, completely different, completely removed from creativity? Again, no.

Thesaurus.com includes ability as a synonym for talent. They define it as “natural or acquired power” in something.

I am, for the first time, having this insight about talent and creativity. Perhaps talent and creativity are related just the way talent and playing the piano, talent and doing math, or talent and fencing are related. As my skills grow, my talent grows. As my understanding grows, my talent grows. As I practice, try, fail, learn, succeed — my talent grows. The talent can be in relationship to a plethora of different things — including creativity.

And, as my creativity grows – as a thinker in general, or in a specific arena – my talent, so to speak, always grows. Think of jazz musicians, scientists developing life saving drugs, mathematicians proposing or solving incredible problems, poets writing exquisite poems — their talent feeds their creativity, which in turn feeds their talent! It is a beautiful feedback loop.

Neither talent nor creativity are fixed abilities. We all have the ability to be talented and creative. Some may be more innately talented or creative, and levels of talent and creativity vary.  But, and this is an incredibly important thing for everyone — perhaps especially, parents, teachers and young people — to hear, with learning and practice, everyone can grow in talent and creativity.

This leads me back to Mr. Burn’s article Should Education Focus Less on the Creative Arts, More on the Art of Creativity?  and back to my “Yes, and …” from the beginning of this post. I love Burn’s thoughts in his article about the importance of creativity, and of a teacher with an MA Creative Thinking to help others navigate. However, I lean towards Uri Alon’s idea — Yes, and.

Yes, creative arts, AND, yes, ABSOLUTELY, POSITIVELY the art of creativity.

I think, perhaps, Mr. Burn’s would agree with that statement. But, that’s for another post!

Long Live Convergent Thinking and Knowledge! 

One of the first articles I wrote about when I was getting my MA Creative Thinking was In Praise of Convergent Thinking, by Arthur Cropley.  I was a fan of divergent thinking, and praised it often! I was intrigued by the idea that convergent thinking should be praised in creativity, as well. After reading his article, I agreed! Convergent thinking and knowledge are  super important parts of creativity.  Look: “In the area of convergent thinking, knowledge is of particular importance: It is a source of ideas, suggests pathways to solutions, and provides criteria of effectiveness and novelty.”  (Cropley, 2004, p. 2) Makes sense, right?

Then I discovered the work of Teresa Amabile — among other things, her componential theory of creativity. In a working paper summary from 2012  she writes that the componential theory of creativity “specifies that creativity requires a confluence of four components: Creativity should be highest when 1) an intrinsically motivated person with 2) high domain expertise and 3) high skill in creative thinking 4) works in an environment high in supports for creativity.” (Amabile, 2012) Domain expertise includes, — you guessed it — knowledge.

I spend a ton of time outdoors and enjoy playing around with plein air watercolor painting. The other day, I stowed my new travel water color set — 24 colors — in my backpack and set out. Reaching the summit I broke the kit open and began. I quickly realized there is a plethora of different colors in nature, and I wasn’t sure how to create them from my 24.

What was I to do?

Funny, at that moment, I saw the beautiful faces of my kindergartner artists asking me the same question. I told myself what I tell them. “Do your best and don’t fret!”

So, that’s what I did!

I wasn’t sure how to make the many colors I saw, but I did my best. I had a blast! I looked at the beauty before me for a long time — soaking it in. I sketched some rough ideas, and looked some more. I noticed shapes, colors, gradients, clouds, glints of light and much more. Finally I picked up my brush, made my best decisions, and ended up with a rather pleasing product.

But, I hadn’t forgotten what I’d learned from Cropley and Amabile, so when I got home I got out some sheets of watercolor paper, created a grid, opened my watercolors, poured myself a glass of sparkling water, and set to work. I was amazed, and really quite surprised, by the colors that were created when I mixed the paints.

This chart contains the colors obtained by combining only two colors at a time. Imagine what might happen if I mixed more than two at once!!! Or, just think how much more I might learn by contemplating the chart and noticing characteristics about each color.

The possibilities are endless.

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This was such a simple, pleasant lesson about the importance of convergent thinking and knowledge for creativity. Of course I can be creative with the knowledge I already have. I understand some things about color theory and how colors combine. But, I learned so much by doing this work. I have no doubt it will impact me next time I paint. I’m excited to see how this will increase my creativity — not my talent — but my creativity.

To further sing the praise of convergent thinking and knowledge, several times I had to use them as I created the chart. I would absent-mindedly move to wash my brush in my sparkling water, and once even lifted the brush-washing water glass towards my lips! Thank goodness for convergent thinking and knowledge which reminded me that it might be unique, but not at all useful,  to wash my brush in my sparkling water, or to drink the brush-washing water that was in the small glass!

Long live convergent thinking and knowledge!

 

RESOURCES:

Amabile, T. (2012, May 22). Componential Theory of Creativity. Retrieved August 18, 2017, from http://hbswk.hbs.edu/item/componential-theory-of-creativity

Cropley, A. (2006, July).  In Praise of Convergent Thinking. Creativity Research Journal,18(3):391-404. Retrieved August 18, 2017, from https://www.researchgate.net/publication/247807708_In_Praise_of_Convergent_Thinking

 

Learning Like A Kindergartner

 

 

Mitch Resnickargues that the ‘kindergarten approach to learning’ – characterized by a spiraling cycle of Imagine, Create, Play, Share, Reflect, and back to Imagine – is ideally suited to the needs of the 21st century, helping learners develop the creative-thinking skills that are critical to success and satisfaction in today’s society.” 

I’ve spent at least 4 hours today doing just that – imagining what might be, measuring, erasing, thinking, creating with various mediums, playing with watercolor and the rule of thirds, sharing my work and thoughts with my brother, reflecting on the process and product, and imagining what I might do next with this project and others.

I explored and learned about the remarkable, and often surprising, properties of water color. I experimented with wet on wet, wet on dry, overlapping, the golden ratio, the rule of thirds, contrasting colors, tones and hues of the same color, and lots more. It was super fun, and filled with discoveries and learning.

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My long creating jaunt made me think of another thing Mitch said GIVE P’S A CHANCE: PROJECTS, PEERS, PASSION, PLAY. (Cracks me up each time I read that title!). But, that reflection will have to wait for another time. I’m starving and need to step away from my play-filled learning, (Or is it learning-filled play?) and find some food!

Rest assured I’ll be thinking of ways to increase this type of learning in my classroom — working my innovator’s mindset — to innovate inside, and outside, the box!

 

 

 

Inviting Kindergartners Into My Process and Musing

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My hands will soon be covered in paint –  like hand in this photo. YAY! I cannot wait!

It is super important for me, as a person, and as an educator, to: get inspired, try new techniques, play, and make things. The whole process – anticipating, enjoying, searching, looking, researching, talking, trying, learning, failing, fretting and succeeding – teaches and touches me as a person and an educator.

The preparation is a time of excitement, joy and anticipation!

I relish the trip to the art store! Paper, paint, stencils, cutting tools, canvases, paint brushes invite me to explore, imagine and buy. I usually end up in line with much more than my original shopping list. If I’m lucky, my cashier is an artist. We kibitz over my choices, and share our passion and ideas. On my last visit, I discovered there is 300 pound watercolor paper! 300 lbs! The clerk said it is “Delicious!” (You do know I will soon be purchasing some, don’t you?)

I love scouring bookstores for art books or magazines. It’s a treasure hunt. If I’m lucky enough to find one or two that inspire me, I’m a happy girl! Just thinking about being creative makes me happy. It doesn’t bring me as much joy as actually creating, but it is pretty awesome.

And, of course, after all the prep, I love the doing! Surrounded by supplies. In the zone. Hands covered with paint. Mind buzzing. Spirit soaring.

But, occasionally, I notice less than positive emotions. Sometimes there is a vague sense of angst. Usually it’s when I’m faced with a technique that is new, outside my wheelhouse, or that doesn’t easily mesh with my usual sensibilities. It’s always somewhat surprising to notice the less than positive emotions. I love being creative and artistic, and I’m pretty talented. And yet, I still sometimes feel apprehension, the worry of not being good enough, or the fear of messing it up.

As I notice all my experiences, thoughts and feelings, my mind turn to my students. I want them to experience it all. The positive and the less than positive emotions. I want them to struggle, to think, to fail, to learn, to succeed. I even want them to experience the angst, and the truth that angst can be overcome.

Wondering how I might do that, I am considering these questions:

  • How might we facilitate anticipation, discovery and joy?
  • How might we participate in the excitement of the treasure hunt for ideas and/or supplies?
  • How might we provide inspiration?
  • How might we find the time to allow ourselves to savor the process?
  • How might we structure our time together, to enable more conversation, as artists, regarding our passion, our work and/or our materials?
  • How might we give each other the freedom to adapt a particular technique or project to better fit our own sensibilities?
  • How might we be more aware of thoughts/feelings of angst and fear?
  • How might we better support each other in angst and fear?
  • How might we continue to encourage belief/knowledge of ourselves as capable, awesome artists?

I’m not sure, but I’m wondering ….

 

Note:

My first draft of this blog post had a list of “How might I …?” questions. As I re-read my post, the I was in glaring opposition to the we of creative teams.  Yes, I am the teacher, so, yes, much is up to me. But, we are a creative team – my kindergartners, my colleagues, and I – and it is better that I ask “How might we …?” 

My students teach me, inspire me, problem solve with me, and often see things from an insightful prospective much different than mine. Inviting them into my musing will be beneficial for us all!

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Hiking Art – Part 2 – Using the Wind

14114866_1464197210263831_6637948970428154399_oOur final hiking day in NY included a jaunt into the Ausable River across from Copperas Pond, and then a rather lovely hike to Cobble Lookout. I found a nice seat – lightly shaded, good view – and broke out the paints and paper. Much like other days, the wind was gloriously present.

I’d done art with my Kindergarteners were we supplied the breath to move the paint around the page. Inspired by that, I decided to see if I could let the rushing wind move my paint.

Much like the leaf painting, it was more difficult than I imagined. The wind was gusting at times, but seemed unable to combat the inertia in the domes of watercolor that sat on my page. I was surprised!

I tried more water in the paint, but the small domes still seemed impervious to the wind. Very interesting!

I thought it was a combination of inertia, and the small surface area of the paint. Even though the wind seemed very powerful on my skin, it didn’t push strongly on the drops of water and paint.

So, I stopped trying to control how the wind impacted the paint and paper. I did my best to give the wind full rein. I placed the watery paint onto the page, and lifted the page into the wind. Thankfully, my grasp was firm, because the wind whipped the page about like a kite! The wind won the inertia war (if that is what it truly was) and the paint moved about the page – small bits splashing onto my hands and legs.

I quickly ran out of water in my brush reservoir – as clearly I was using the brush in a much different way than anticipated! I filled it with water from my water bottle, but ended up spilling more than I got in the pen. Providentially, the water fell into a perfectly formed indentation on the rock where I sat. A natural water holder! I was able to wash my brush, and get enough water to make the paint wet and moveable.

Using that indentation in the rock really added to my experience.

  • It made me feel more immersed in, and connected to, nature.
  • It opened my eyes and mind to the possibilities that surround me – sometimes within reach – that may go unnoticed.
  • It encouraged me to embrace “what is.” There was some very fine gravel at the bottom of the indentation which transferred to my paper. The first time it happened, I gasped! Then I remembered something I had read, or heard, about Jackson Pollock. Bits of things sometimes ended up as parts of his work. That made me chuckle and helped me breathe as I thought “Oh! No worries! It’s just like Jackson Pollock!”

After letting the wind do quite a bit of work. I sat with the piece and watched it as it dried. I looked out at the view and noticed the grey rock, the green trees and the blue sky. I decided to fill in the unpainted areas with grey, green and blue – in that order – as I saw them sitting there.

When I got home I set about finishing this piece. I wanted to add some sort of detail, and words. I had been thinking of using parts of a John Muir quote that had been in my mind for days.

“Climb the mountains and get their good tidings. Nature’s peace will flow into you as sunshine flows into trees. The winds will blow their own freshness into you, and the storms their energy, while cares will drop off like autumn leaves.” (John Muir)

I loved how much the painting reminded me of a map, or the view you might see from the summit of a mountain. I hesitated about adding the words, fearing I might wreck the work I had already done.

But, I decided they had to be added! I love that quote. It blesses me each time I recall it when I am out in nature. It increases my breath and my ease. Plus the wind’s freshness had actually created the painting! How could I not acknowledge it?

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” Climb mountains … peace flows … like sunshine …winds blow freshness and storms energy … cares drop off like autumn leaves.” (John Muir, as per me)