Water is the Upside Down Sky

Hiking always refreshes, and challenges my watercolor practice. I love looking and gazing and wondering how I might adequately capture with watercolor, what I see with my eyes.

This year I was super curious and delighted by the sky and water. If you have a moment, give the sky and water around you more of your attention. They are amazing gifts.

Here they are in three different, yet equally beautiful scenarios. (Just looking at the photos transports me back, and makes my breath deepen and lengthen. Sigh.)

Then, and now, as I look at them, and endeavor to paint them, I realize my brother is right.

“Water is just the upside down sky!”

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Creative Arts and the Art of Creativity

Amazing how much past learning, reading and conversation is coming to mind and  informing this post.  Thinking of a title for the post I considered Creative Arts or the Art of Creativity. Almost immediately, Uri Alon’s TEDtalk, and his use of the phrase “Yes, and …” popped into my mind. Nope, can’t be or, must be and. Hence the blog post title —  Creative Arts and the Art of Creativity. Both are valuable and important, and I don’t want to suggest anything different in my title.

Will Burns wrote an article entitled Should Education Focus Less on the Creative Arts, More on the Art of Creativity? I loved his conversation with his son about creativity.

Just this morning I asked my son who just graduated high school to name the most creative person in his class and why he thought so. He thought about it and said, “I think it would be Cassidy Davis (changed name) because she is incredibly good at drawing people’s faces.” My son seemed to equate “creativity” with a talent. But, interestingly, he went on to say, “Yeah, she does these drawings of people but then puts them into these scenes that are totally trippy and surreal.” (Will Burns, Forbes, August 7, 2017 @ 01:26 PM)

Burns exclaimed “Now that is creativity.”

I chuckled when I read that. I agree, that does sound creative. Cassidy moved beyond her talent to produce “good drawings” and interjected some creativity — placing the expertly drawn faces in fantastical scenes, created in her imagination and translated onto the page through her fingers.

Considering the definition of creativity, and whether or not something was creative, brings me back to the many awesome conversations with Karl during and after my MA Creative Thinking work at UCLan.

What exactly is creativity? Is it the same as talent? Is it connected to talent? Can we teach it? How? (And, a zillion other questions.) For now, the important conversation centers on the definition of creativity.

Creativity is new and useful or appropriate. So yes, when I read Burn’s son’s description I thought “Wow, that sounds creative, and quite cool.” But, if Cassidy’s drawings were not appropriate to the task at hand, they would not be creative. Talented and unique, perhaps, but not creative. Interesting, right?

I thought of this the other day as I did some plein air painting in the Adirondacks.

After hiking in, I settled myself, and my watercolors, on rocks in the river. I love this spot on the Ausable River, and I wanted to enjoy the river, the air and the moment. My artistic/creative goal was to capture the movement and spirit of the water, while incorporating a bit of the color mixing I had done at home.

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As I sat — breathing and thinking in this great space — I was splashed repeatedly by the river as it flowed by me. Through those splashes, I felt the river asking for my attention, gently nudging me to capture its essence by actually using it in my painting.

I put aside my waterbrush and began gathering water from the river. Slowly, splashes, drips, and then rivers of water, formed on my paper. Grabbing my brush, I wet my paints with the river water. The many colors of nature began to form on the page as the paints moved through the water. Sometimes they glided past one another without mixing, and other times they crashed into one another, swirling into ribbons and pools of new colors.

It was a fascinating and enjoyable process. I noticed the many things I could, and could not control in the process. Much like I must do when walking on the river, I accepted and relaxed – respecting the power but not fearing it.

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I am not sure anyone would consider me a great watercolor talent after seeing this painting. I am growing in my knowledge, skill, understanding and talent. But, a great talent? Not yet.

But, is it creative? Yes — it is a new idea that is appropriate to my task and goal.

I wasn’t sure I had achieved the essence of the river until I tried to photograph the painting. It looked best when it sat amidst the rocks. Just like the water around it, it gathered strength, grace, beauty and meaning from the rocks.

Back to one of my original questions. Is creativity the same as talent? No.

Is it then, completely different, completely removed from creativity? Again, no.

Thesaurus.com includes ability as a synonym for talent. They define it as “natural or acquired power” in something.

I am, for the first time, having this insight about talent and creativity. Perhaps talent and creativity are related just the way talent and playing the piano, talent and doing math, or talent and fencing are related. As my skills grow, my talent grows. As my understanding grows, my talent grows. As I practice, try, fail, learn, succeed — my talent grows. The talent can be in relationship to a plethora of different things — including creativity.

And, as my creativity grows – as a thinker in general, or in a specific arena – my talent, so to speak, always grows. Think of jazz musicians, scientists developing life saving drugs, mathematicians proposing or solving incredible problems, poets writing exquisite poems — their talent feeds their creativity, which in turn feeds their talent! It is a beautiful feedback loop.

Neither talent nor creativity are fixed abilities. We all have the ability to be talented and creative. Some may be more innately talented or creative, and levels of talent and creativity vary.  But, and this is an incredibly important thing for everyone — perhaps especially, parents, teachers and young people — to hear, with learning and practice, everyone can grow in talent and creativity.

This leads me back to Mr. Burn’s article Should Education Focus Less on the Creative Arts, More on the Art of Creativity?  and back to my “Yes, and …” from the beginning of this post. I love Burn’s thoughts in his article about the importance of creativity, and of a teacher with an MA Creative Thinking to help others navigate. However, I lean towards Uri Alon’s idea — Yes, and.

Yes, creative arts, AND, yes, ABSOLUTELY, POSITIVELY the art of creativity.

I think, perhaps, Mr. Burn’s would agree with that statement. But, that’s for another post!

Long Live Convergent Thinking and Knowledge! 

One of the first articles I wrote about when I was getting my MA Creative Thinking was In Praise of Convergent Thinking, by Arthur Cropley.  I was a fan of divergent thinking, and praised it often! I was intrigued by the idea that convergent thinking should be praised in creativity, as well. After reading his article, I agreed! Convergent thinking and knowledge are  super important parts of creativity.  Look: “In the area of convergent thinking, knowledge is of particular importance: It is a source of ideas, suggests pathways to solutions, and provides criteria of effectiveness and novelty.”  (Cropley, 2004, p. 2) Makes sense, right?

Then I discovered the work of Teresa Amabile — among other things, her componential theory of creativity. In a working paper summary from 2012  she writes that the componential theory of creativity “specifies that creativity requires a confluence of four components: Creativity should be highest when 1) an intrinsically motivated person with 2) high domain expertise and 3) high skill in creative thinking 4) works in an environment high in supports for creativity.” (Amabile, 2012) Domain expertise includes, — you guessed it — knowledge.

I spend a ton of time outdoors and enjoy playing around with plein air watercolor painting. The other day, I stowed my new travel water color set — 24 colors — in my backpack and set out. Reaching the summit I broke the kit open and began. I quickly realized there is a plethora of different colors in nature, and I wasn’t sure how to create them from my 24.

What was I to do?

Funny, at that moment, I saw the beautiful faces of my kindergartner artists asking me the same question. I told myself what I tell them. “Do your best and don’t fret!”

So, that’s what I did!

I wasn’t sure how to make the many colors I saw, but I did my best. I had a blast! I looked at the beauty before me for a long time — soaking it in. I sketched some rough ideas, and looked some more. I noticed shapes, colors, gradients, clouds, glints of light and much more. Finally I picked up my brush, made my best decisions, and ended up with a rather pleasing product.

But, I hadn’t forgotten what I’d learned from Cropley and Amabile, so when I got home I got out some sheets of watercolor paper, created a grid, opened my watercolors, poured myself a glass of sparkling water, and set to work. I was amazed, and really quite surprised, by the colors that were created when I mixed the paints.

This chart contains the colors obtained by combining only two colors at a time. Imagine what might happen if I mixed more than two at once!!! Or, just think how much more I might learn by contemplating the chart and noticing characteristics about each color.

The possibilities are endless.

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This was such a simple, pleasant lesson about the importance of convergent thinking and knowledge for creativity. Of course I can be creative with the knowledge I already have. I understand some things about color theory and how colors combine. But, I learned so much by doing this work. I have no doubt it will impact me next time I paint. I’m excited to see how this will increase my creativity — not my talent — but my creativity.

To further sing the praise of convergent thinking and knowledge, several times I had to use them as I created the chart. I would absent-mindedly move to wash my brush in my sparkling water, and once even lifted the brush-washing water glass towards my lips! Thank goodness for convergent thinking and knowledge which reminded me that it might be unique, but not at all useful,  to wash my brush in my sparkling water, or to drink the brush-washing water that was in the small glass!

Long live convergent thinking and knowledge!

 

RESOURCES:

Amabile, T. (2012, May 22). Componential Theory of Creativity. Retrieved August 18, 2017, from http://hbswk.hbs.edu/item/componential-theory-of-creativity

Cropley, A. (2006, July).  In Praise of Convergent Thinking. Creativity Research Journal,18(3):391-404. Retrieved August 18, 2017, from https://www.researchgate.net/publication/247807708_In_Praise_of_Convergent_Thinking

 

Hiking Art – Part 2 – Using the Wind

14114866_1464197210263831_6637948970428154399_oOur final hiking day in NY included a jaunt into the Ausable River across from Copperas Pond, and then a rather lovely hike to Cobble Lookout. I found a nice seat – lightly shaded, good view – and broke out the paints and paper. Much like other days, the wind was gloriously present.

I’d done art with my Kindergarteners were we supplied the breath to move the paint around the page. Inspired by that, I decided to see if I could let the rushing wind move my paint.

Much like the leaf painting, it was more difficult than I imagined. The wind was gusting at times, but seemed unable to combat the inertia in the domes of watercolor that sat on my page. I was surprised!

I tried more water in the paint, but the small domes still seemed impervious to the wind. Very interesting!

I thought it was a combination of inertia, and the small surface area of the paint. Even though the wind seemed very powerful on my skin, it didn’t push strongly on the drops of water and paint.

So, I stopped trying to control how the wind impacted the paint and paper. I did my best to give the wind full rein. I placed the watery paint onto the page, and lifted the page into the wind. Thankfully, my grasp was firm, because the wind whipped the page about like a kite! The wind won the inertia war (if that is what it truly was) and the paint moved about the page – small bits splashing onto my hands and legs.

I quickly ran out of water in my brush reservoir – as clearly I was using the brush in a much different way than anticipated! I filled it with water from my water bottle, but ended up spilling more than I got in the pen. Providentially, the water fell into a perfectly formed indentation on the rock where I sat. A natural water holder! I was able to wash my brush, and get enough water to make the paint wet and moveable.

Using that indentation in the rock really added to my experience.

  • It made me feel more immersed in, and connected to, nature.
  • It opened my eyes and mind to the possibilities that surround me – sometimes within reach – that may go unnoticed.
  • It encouraged me to embrace “what is.” There was some very fine gravel at the bottom of the indentation which transferred to my paper. The first time it happened, I gasped! Then I remembered something I had read, or heard, about Jackson Pollock. Bits of things sometimes ended up as parts of his work. That made me chuckle and helped me breathe as I thought “Oh! No worries! It’s just like Jackson Pollock!”

After letting the wind do quite a bit of work. I sat with the piece and watched it as it dried. I looked out at the view and noticed the grey rock, the green trees and the blue sky. I decided to fill in the unpainted areas with grey, green and blue – in that order – as I saw them sitting there.

When I got home I set about finishing this piece. I wanted to add some sort of detail, and words. I had been thinking of using parts of a John Muir quote that had been in my mind for days.

“Climb the mountains and get their good tidings. Nature’s peace will flow into you as sunshine flows into trees. The winds will blow their own freshness into you, and the storms their energy, while cares will drop off like autumn leaves.” (John Muir)

I loved how much the painting reminded me of a map, or the view you might see from the summit of a mountain. I hesitated about adding the words, fearing I might wreck the work I had already done.

But, I decided they had to be added! I love that quote. It blesses me each time I recall it when I am out in nature. It increases my breath and my ease. Plus the wind’s freshness had actually created the painting! How could I not acknowledge it?

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” Climb mountains … peace flows … like sunshine …winds blow freshness and storms energy … cares drop off like autumn leaves.” (John Muir, as per me)