To Examine or Not to Examine

I’m enjoying the look and content of the latest Flow magazine. Beautiful designs and thought provoking ideas fill the pages.

This is one of them.

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That statement made me think … a lot.

With all due respect to Mr. Albee, after much consideration, I must disagree.

Yes, yes! There are definitely moments when creativity feels like magic. There are moments of inspiration, and moments where we proclaim “Oh, now I see! That’s it!!!” But, I think if we examine those moments carefully, we frequently, if not always, discover a copious amount of thought, research, making, and/or, hard work which preceeded, and helped create, our “magical moments.”

I love the moments that seem steeped in magic. Part of me wants to protect the moments, the experience, and the phrase, by embracing them and, like Albee, discouraging others from examining them too deeply. But, I think that may be detrimental to creativity because sometimes magic is elusive, and creativity is actually so much more than magic!

Better, I think, to closely and carefully examine creativity, and its magic. The study need not detract from those deliciously wonderful aha-moments.

Understanding the creative process, the environments that support it, and the plethora of things that often help, or hinder it, may help us experience more “creative magic,” be creative — in all aspects of our lives and work — and impact the world in beautiful, amazing ways.

Meanwhile, don’t give up if the magic is eluding you. Work. Think. Imagine. Make. Believe in yourself. Be confident in your own creativity and your ability to experience awesome “creative magic.”

But, bear in mind, creativity often requires a lot of hard work and time. Don’t avoid it.

And, sometimes, when the magic finally does appear, it appears as a simple little spark. Don’t miss it.

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The Magic of Ideas

I love the book What Do You Do With An Idea by Kobi Yamada and Mae Besom. The illustrations are wonderful and add a profound depth that is accessible to all. If you haven’t read it yet, find a copy and read it! You won’t be disappointed.

Perhaps even better would be to read it with some children. Each time I read it to my class, they notice new things in the illustrations, and make unique connections and wonderings. They encourage me to open my eyes, mind, and heart, a bit wider, stay in the moment, and notice all there is to see.

I read the book aloud – stopping often for their eager noticing, sharing, wondering, conversing and questioning. It took us almost 30 minutes to read the book! We talked a lot about ideas – having ideas, feeding them, sometimes being afraid to share them, sometimes sharing our ideas freely, listening to other ideas, getting inspired by other people’s ideas, and, changing the world with our ideas!

I asked if they thought their ideas could change the world. There was a mixed response. Some thought yes, some no, and some were unsure. I told them I believed their ideas DO change the world. I asked them if they had every helped a friend who was sad, or if they had problem-solved with a friend. Of course, they all had. I continued, saying “Those ideas you shared when your friend was sad, and when you needed answers, helped right? So, they changed the world for that person and for you!”

I grabbed a notebook I carry in my bag, and shared some things I jot down – words, thoughts, ideas, images. Then I pulled out the small notebooks I made my students. The covers were decorated with circles and dots. Some were connected, some only partially formed, some mixing colors, some were off by themselves – just like our ideas. Finally I set my kids free to begin to fill their books with their thoughts, plans, imaginings, and visions.

Here are some of their ideas …

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  • Design and make dog clothes.
  • Make a big computer that converts into a small laptop

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  • Finger knit a headband like Caileigh’s.
  • I make board games.

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  • She will build a tower too. She’ll also build a bike.
  • Make a company. Make a new way to read.

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  • Make a blanket for Pikachu (finger knit).
  • Be myself. Dream big.

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  • Nothing can stop you from doing the thing you love.
  • I will always do crafts and drawing, even when I am angry.

Fabulous, right?

They cracked me up at the end of the time (about 30 minutes). I was wandering around telling them we had 5 more minutes, talking with them about their ideas, and taking photos. At some point I sat down, to chat or look at something more closely. The next thing I knew, I was surrounded by a circle of students – probably 2-3 deep at points – all saying “I have an idea, Miss James!” It was an incredible surge of joyful energy.

It was magical and wonderful!

 

Engaging in the Hard, Fabulous Work of Creativity

My bathroom has two sliding doors. I designed the bathroom with these doors as canvases for some sort of artwork. Finally, one side of one of the doors is finished!!! Well, to be specific, the artwork is finished,but the door remains perched on two saw horses in my bedroom/studio, waiting for a few coats of polyurethane before it is hung again on its slider.

.door on saw horses

It is remarkable how much thought, research, doodling, re-thinking, kibitizing, talking, looking, and physical work, are involved in being creative! I love the process, but for some reason, this project really encouraged me to notice the time, effort, thought and work of creativity.

My process:

  1. I spent days thinking about the project. I imagined what I wanted. I thought about how I might achieve what I wanted. I changed my mind numerous times. I decided I wanted to — somehow — stay true to the architectural design of my arts and craft bungalow home.
  2. This sent me on a long path of research – looking up arts and craft fonts, flipping through a plethora of arts and craft design and art books, and googling various people and pieces I was particularly drawn towards.
  3. I found two fonts, and many designs I liked. Now I had to see if I could actually use them. Could I learn how to draw them and make them my own?
  4. Next came the doodling and sketching. Funny as it may sound, I experience joy when I find and use a pencil that feels good in my hand, moves smoothly across the paper, makes great marks and erases easily. And speaking of erasing, the number of iterations I went through in order to come up with the final design, was amazing! I wish I hadn’t thrown away all my sketches. It would be good for my students to see and know that the work that looks so easy, and causes them to say, “Wow, you are so good at that, Miss James!”  is actually informed and supported by many other tries! I’ll be sure to keep the next batch.
  5. My final design is the result of being open to possibilities wherever I found them, and mashing together ideas from many different arenas – arts and craft designs, zen-tangling sensibilities, yoga, mandalas, nature, botany, math, color theory, and I’m sure many more that I’m currently forgetting!

door collage

But that wasn’t the end! The work, thinking, experimenting, ideating and iterating continued.

  1. Now I had to take my idea  – drawn on an 8.5 x 11 piece of paper – and transpose it into something beautiful on the actual door. Rulers, yardsticks, lovely pencils and erasers, compasses, and scratch pieces of paper were purposefully strewn across the door. I measured, sketched, thought, looked, breathed …. and did it all again for some time. It was fabulous! Finally the design was sketched onto the door.
  2. Next was the wood-burning stage which would create the dark lines of the design on my door. I should mention that this stage was also preceded by many hours of practice. The burner comes with many different tips. I experimented with each one to see what type of line it created, which heat worked best for it, and how easily I could manipulate it to create the lines I wanted. I experimented on various types of wood – they all seem to burn differently – and then explored the different areas of the clear pine I was using. The grain caused different burning rates and necessitated changes in speed and heat.
  3. Finally, time for color! I loved the look of the design burned into the wood. I’m sure it would have been fine to polyurethane it in its natural form, but I had created it with color in my mind and knew it would seem unfinished if I left it uncolored. So, once again, I risked “wrecking it” in order to make it what I knew it could be.
    1. I laid the colors out on the design – playing with different combinations.
    2. I painted the colors onto a similar piece of wood. I was amazed by the difference in the colors out of the paint tube versus on the tube.
    3. I thought, looked and waited. Mostly the waiting was because I was working during the day and coaching in the evenings, leaving me little time to create. But, that waiting was important, because I had time to look, and look some more, and allow my brain to play with the colors.
    4. I couldn’t decide on all the color combinations so I started with one color combination – the leaves – and as I painted, the other colors combinations coalesced for me.

The color and painting process was fascinating! I tried to figure out the entire color scheme, but failed time and time again. When I stopped trying and began painting, I – for lack of a better phrase – began to see better. It was as though the process of immersing myself in the medium – the paint and the painting – increased my clarity.

I can’t explain it — many ways it was magical! As I painted the leaves, with the tubes of paint lying about me, and I would notice myself thinking “Oh! That might work.” I’d continue painting, and notice another thought “Hmm, perhaps that is too much. I think this might be better.”

Often I’d run my ideas past my brother (another creative, learned soul) for clarification and validation. I wouldn’t always use his ideas, but somehow his ideas fed mine and helped them become more “perfect.”

door closeup

Each step in the process involved risk, flow, joy, time and triumph. It was all fabulous, but the time was really important. Time to think, to do, to wonder, to mess up, to re-think, and to experience the process, the product, the materials. I would often just stand at my work – leaning on the door, examining it with my eyes. Other times, I would run my palm over the work. The tactile experience of touching my work in its various stages of completeness was incredibly important, necessary and satisfying.

It makes me think about school and my students. How can I help them have this experience of creativity — in all its angst, sweat and splendor? How can I give them the time and opportunity to experience — in their own creative work and thought — what I experienced in mine?

I’m not completely sure, but rest assured I’ll be thinking about it, and letting the question, and any possible answers, inform my teaching practice!